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Education » Literary
Dulcimer Maker: The Craft of Homer Ledford screenshot
English | 2003 | ISBN: 0813190517 | 216 Pages | PDF | 22.55 MB
Dulcimer making has long been considered an art. The exquisite design is also functional, and the best instruments sound as beautiful as they look. Homer Ledford, a legend among dulcimer makers, is known for his innovative but traditional craftsmanship. A biography and a step-by-step guide to dulcimer making, this classic book illuminates and celebrates the work of a master craftsman, musician, and folk artist. This new edition presents a foreword by Ron Pen, director of the John Jacob Niles Center for American Music at the University of Kentucky, and an enlightening afterword featuring a conversation with Ledford. In an era when Americans are rediscovering their musical roots, Dulcimer Maker offers a unique look at a bluegrass legend.
Education » Literary
Music, Madness, and the Unworking of Language screenshot
English | 2008 | ISBN: 023114220X | 272 Pages | PDF |1.99 MB
In the romantic tradition, music is consistently associated with madness, either as cause or cure. Writers as diverse as Kleist, Hoffmann, and Nietzsche articulated this theme, which in fact reaches back to classical antiquity and continues to resonate in the modern imagination. What John Hamilton investigates in this study is the way literary, philosophical, and psychological treatments of music and madness challenge the limits of representation and thereby create a crisis of language. Special focus is given to the decidedly autobiographical impulse of the late eighteenth and early nineteenth centuries, where musical experience and mental disturbance disrupt the expression of referential thought, illuminating the irreducible aspects of the self before language can work them back into a discursive system.
Education » Literary
Psychology and Music: The Understanding of Melody and Rhythm screenshot
English | 1993 | ISBN: 0805801456 | 240 Pages | PDF | 5.65 MB
This book deals with the complex cognitive processes involved in understanding two "horizontal" aspects of music perception, melody and rhythm, both separately and together. Focusing on the tonal framework for pitch material in melodies, the first section provides evidence that mere exposure to music organized in a particular way is sufficient to induce the auditory system to prepare itself to receive further input conforming to the patterns already experienced. Its chapters also offer evidence concerning elaborations of those basic schemes that come about through specialized training in music.
Education » Literary
The Last Miles The Music of Miles Davis, 1980 1991 screenshot
English | ISBN: 1845531221 | 2006 | PDF | 568 pages | 23,7 MB
"'The best Miles Davis book ever.' Randy Hall, singer, guitarist and producer, who worked with Miles in the 1980's 'Engagingly written from start to finish, The Last Miles is an essential portrait of Miles' last decade and a strong argument that his music was both valid and perfectly in keeping with a musical philosophy that would ultimately stretch over six decades.' John Kelman, All About Jazz 'Cole does for Miles' late work what Ian Macdonald's Revolution In The Head does for The Beatles, examining each album in meticulous detail.' John Lewis, Time Out 'Cole's certainly produced a fascinating book.' Chris Ingham, Mojo '[Miles] comes out of Cole's account larger, warmer and if anything even more important than ever.'
Education » Literary
What Else Is in the Teaches of Peaches screenshot
English | 2015 | ISBN: 1617753572 | 161 Pages | PDF | 17.2 MB
This volume presents a mesmerizing collection of Holger Talinski's evocative and sometimes erotic photos of transgressive musical icon Peaches, on and off stage, with accompanying text by Peaches, Michael Stipe (R.E.M.), Yoko Ono, and the actress Ellen Page, best known for her lead role in the film Juno, which garnered her an Oscar nomination for Best Actress.
Education » Literary
In Search of Opera screenshot
English | 2003 | ISBN: 0691117314 | 290 Pages | PDF | 25.60 MB
In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music's realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle ground between operas as abstractions and performance as the phenomenon that brings opera into being.

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