My Thoughts On Drum Sample Software
I have done everything in my power to frequently test all the major drum programs in various ways over the years and the Abbey kits always win out in the end for me....though I quite like the craviotto kick and the supraphonic snare in the 4 mic set up of this new EZ CLASSIC and Im sure to give em a go. BFD NEVER wins out for me so I just refuse to bother anymore....and though the ADDICTIVE kits sound sorta cool - they remind me too much of a drum machine so I barely touch em...it would be in XLN's interest to bring something new out to match the competition....for some reason the TOONTRACK EVIL drum kits just dont seem to work for my music and Ive always been disappointed in that....but all other TOONTRACK shit is great....so for me its Toontrack (music city, allaire, avatar, C&V, and metal)and Abbey kits!!!
I route the Abbey channels seperately and work on each component with EQ in particular in Studio one then bounce each one down individually (to later work upon in Samplitude).
They sound great once you throw an eq onto the direct mic and scour for annoying frequencies so dont be put off if you have given something a quick listen and opted not to use it...dont forget, these people have used the best drums, the best mics, the best pre-amps and mixers, etc...the rest is up to us to shape things (just like the 'pros' do!!). I am extremely particular (to a fault??) and the Abbey stuff wins for me 9 times out of ten.
Drums are interesting cause more than anything else - for the most part - we all probably spend more time on them than anything else trying to get the right sound - the right feel - the right liveliness (or deadness) etc....I can work on them all day long and my daughter wonders how I can do it - but she isnt hearing all the little tweaks Im doing...lol...it all sounds the same to her!!!
And, sadly, it may well be that the general punter couldnt give a shit in the end anyway...lol...but I find it enjoyable for some odd reason.
Oh and one last thing...I MUCH prefer kits to be unprocessed and fx free....its much better to ONLY have the recorded samples so I can then fuck with them in MY OWN WAY.
I have two final words for you...lol...and never forget them....
SUBTRACTIVE EQ!!!
Thoughts???
peace to all........
I route the Abbey channels seperately and work on each component with EQ in particular in Studio one then bounce each one down individually (to later work upon in Samplitude).
They sound great once you throw an eq onto the direct mic and scour for annoying frequencies so dont be put off if you have given something a quick listen and opted not to use it...dont forget, these people have used the best drums, the best mics, the best pre-amps and mixers, etc...the rest is up to us to shape things (just like the 'pros' do!!). I am extremely particular (to a fault??) and the Abbey stuff wins for me 9 times out of ten.
Drums are interesting cause more than anything else - for the most part - we all probably spend more time on them than anything else trying to get the right sound - the right feel - the right liveliness (or deadness) etc....I can work on them all day long and my daughter wonders how I can do it - but she isnt hearing all the little tweaks Im doing...lol...it all sounds the same to her!!!
And, sadly, it may well be that the general punter couldnt give a shit in the end anyway...lol...but I find it enjoyable for some odd reason.
Oh and one last thing...I MUCH prefer kits to be unprocessed and fx free....its much better to ONLY have the recorded samples so I can then fuck with them in MY OWN WAY.
I have two final words for you...lol...and never forget them....
SUBTRACTIVE EQ!!!
Thoughts???
peace to all........