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Education » Literary
Music Fundamentals -  A Balanced Approach, 2 edition screenshot
English | 2013 | ISBN: 0415621968, 041562195X | 472 pages | PDF | 12.5 MB
Music Fundamentals: A Balanced Approach, Second Edition comprises a textbook/workbook and interactive website designed for those who want to learn the basics of reading music. Intended for students with little or no prior knowledge of music theory, it offers a patient approach for reading, writing and even performing music. Musical examples range from Elvis Presley songs to Beethoven symphonies, from rhythmically challenging African songs and syncopated Brazilian choro melodies, to humorous Filipino ballads and Schubert lieder. The website includes graded quizzes and numerous skill training exercises.

By reinforcing musical concepts with numerous written examples, offering a more balanced mixture of global, classical, and popular music, and encouraging practice through an online, interactive tutorial, Music Fundamentals: A Balanced Approach, Second Edition is a comprehensive textbook for building musical foundations.

Second Edition Features:
Modular structure allows instructors to reorganize chapters.
A variety of exercises help the student transform knowledge into practice:
Listen and sing exercises for ear training
Keyboard drills to be played on a real keyboard or piano, or the keyboard insert provided in the inside cover
Clapping and counting exercises to ingrain a cerebral understand, but also a visceral feeling for pulse and rhythm
Workbook review exercises at the end of each module facilitate progress to the next module.
"Cultural Notes" discuss musical genres or place musical examples in a broader social context to give an enriched approach to music learning.
Online tutorials assist with ear training and general concepts, and streaming of audio examples help to connect the study of theory to real music-making.
The website features student interactive tutorials, and an Instructor Manual supplements teaching with a wealth of classroom exercises.

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comments

  Resident 2.11.2014 2498 11782
+84500
Support me:
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  Resident 5.12.2012 816 21279
+14950
  Banned 3.08.2012 74 17230
+5145
  Resident 21.04.2014 1589
+330
I'm happy to see even more books with titles like: Music Fundamentals,
but no more ...theory...

What I found weird is that the author describes the unison '1' as being an interval, but for there to be an interval, there must be something in the middle, one must have something like the Latin name itself says: lat .: Intervallum = inter (between, in the middle) + valum (trench, ditch, wall). The author should know that the 9th, 11th and 13th intervals also exist and are not 2nd, 4th and 6th octave intervals above, and the eighth '8th' interval shouldn't be called 1st above, because it is not an interval.
If there is octave interval, there are also: 9th, 10th, 11th, 12th and 13th...
The problem was that in the ancient times of music it had a basic math closing anything in module 7, which only worked to explain the basics of music fundamentals.

That is why philosophy is studied since the ancient Greek, than 'UNISON' is only possible when two notes, two voices are produced at the same frequency. Although unison at its root means only one sound [uni=one , then became union sound], but in musical empiricism it became part of the nomenclature of intervals to differentiate different intervals of the ratio of 1: 1 or 0 of the same height, but can still be perceived as originating from different sources.
The best historic example is that in the middle ages around 1570, when women sang the same note as the men and thought it was unison, but sometime later in history, someone discovers the parallel fifth, that in the rules of counterpoint and harmony since the baroque, it becomes: 'Bad Voice Leading', which was the greatest avant-garde revolution of that medieval time, when they realized that women sang an octave above men. By the way, unisonus is from latin.

In music, the word: interval is used even in the languages: German, French, Italian, Spanish, Russian, Japanese and also more than 50, being the same word from Latin etymology.

The word interval is also used for counting the time, in music means the time from one act of the opera to another act, or from one concert to another, in other words the same as pause. In written music refers to the relation between two sounds as to their frequency.

- (Time) Period of time between two musical events, also known as pause.
- (Mathematics) subset of a line.

Therefore correcting this author, only when two notes are produced:
Perfect intervals are only: '4, 5, 8'.
Unison: '1' , because there is no interval between them, that is in f0 which is the initial frequency, then from that duplicated frequency we establish any interval, but when there is only one note by itself, it is only an isolated note or a single frequency.

We can't even use the abbreviation 'P' for unison, because 'Perfect' refers to the perfect interval, which doesn't exist for unison, so we have to use 'U'.
So: 'U1, P4, P5, P8'

Only books in French, Italian, Spanish have been written correctly, because they understand the etymological sources correctly, since their own languages use the words of their own source. If you prefer, think about physics.
  Resident 7.11.2008 9 439
+333
With this kind of in depth knowledge, you ought to write to the authors and correct them on their linguistic and other errors.
Without faith nothing is possible. With it, nothing is impossible.
  Resident 21.04.2014 1589
+330
Many of them ask me by e-mail, but many think their concepts are superior and ask me to remove the comment when I mention their names, because it stays in Google for an eternity, so I ask them to review their books, otherwise they will sell less.

The other day I read in the unreliable Wikipedia, despite having lots of good people who writes there, that the word: Symphony is an Italian word, hence I corrected to the proper Greek origins, the next day the same error was there, so I created a robot software to fix all days, until the idiosyncratic author manifests himself, I contacted Wikipedia to remove the wrong information from there, and the author doesn't admit to being wrong.
In short, it is life, a street without an owner, without editions, a world in which each one thinks for himself, ignores and don't respect traditions of others, being theirs the best in the history of the humanity.

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