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10.10.2016 @ 18:58 Education » Literary

ModernBeats Hit Theory First Principles of Modern Hip-Hop Production PDF

PDF | 15.94 MB
ModernBeats Hit Theory Ebook - The First Principles of Modern Hip Hop Production:
Providing the most powerful and comprehensive introduction into the world of hip hop production, 'Hit Theory' teaches aspiring producers exactly what compositional, music theory, phrasing, & production techniques are required to create #1 hits. Plus, 'Hit Theory' offers much needed guidance on what gear is best optimized to produce quality hip hop productions.

Unlike most "run-of-the-mill" music production books, 'Hit Theory' teaches you how to produce hit music based on mindset and philosophy. It's the ModernBeats approach and the very reason no successful producer sounds like any other, or ever will. Learn the same elite production mindset and philosophy top platinum producers use today. Get equipped with a level of production wisdom most hip hop producers will never grasp and enhance your ability to produce truly hit-worthy music:

Become a Hit Producer: Grasp the art of high quality recordings, cognizant of all necessary conditions required for solid recording; learn the importance of studio treatments, plus solutions for a less-than-ideal recording environment.

Know Your Gear: Learn exactly what to look for when buying gear; discover the meaning of equipment specifications; discern differences between recording consoles and interfaces, microphones, cabling and pre-amplification.

Music Theory: Understand how to apply modal scales to your compositions; learn musical dynamics and instrument emulation via keyboard and more.

Sampler Technique: Learn how to create your own custom producer workstation using samplers and keyboards; discover the studio secrets and workflows of platinum producers; learn to slice and dice samples and beats at a moment's notice - just like the pro's.

Hit Construction: Apply your knowledge of dynamics and theory to create complex, intelligent musical phrases; learn the basics of sequencing musical phrases into full arrangements.

Producer Mindset & Philosophy: Learn to fuel your creative fire & think like a composer; arm yourself with a rock solid work ethic; adopt the same producer mindset & philosophy owned by the top dawgs of hip hop.

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comments

sawanotsuru	status	registered	comments	rating
sawanotsuru	Member	15.02.2016	9	0

had this years ago. definitely worth a read.

11.10.16 @ 07:46

oqidoqi	status	registered	comments	rating
oqidoqi	Member	15.09.2016	1	0

And how many number one hits did the writers score?

11.10.16 @ 14:53

Olymoon	status	registered	posts	comments	rating
Olymoon	Moderator	21.01.2012	2373	16092	+159255

You dont need to be a hit man to be a good teacher, nor to be a good musician...

11.10.16 @ 16:42

Hans Irgend Blumenfeld	status	registered	comments	rating
Hans Irgend Blumenfeld	Resident	21.04.2014	1591	+330

Remember that 'Saliere' teached 'Beethoven' in Austria.
Then 'Beethoven' teached 'Czerny' who never got that inner will to be a composer.
Then 'Czerny' teached 'Liszt', who made wonderful pianists in the XIX and XX century.

Some songs have never been successful or have gone unnoticed by the general public, perhaps the singer's voice does not please the arrangement, the epoch in which it was done, the artist's charisma, the record company did not spend a lot of money to publicize the work.
Perhaps your phenotype, does not help you get a hit.

You may think that both the verssions were successful in their time, but is wrong, there were songs that nobody remembers, maybe in a small local area, is like Hegel proposes in his Zeitgeit, each time (Zeit) has its own history, its social weight and it's small truths.

This is the case of Robert Hazard who in 1979 composed - Girls Just Wanna Have Fun, which only achieved a hit four years later in teh voice of 'Cindy Lauper' , who earned millions for both.

or

Original (not a Hit) - GLORIA JONES - TAINTED LOVE (1964)
Cover (a Hit) - Soft Cell - Tainted Love (1981)
later the same did 'Marilyn Manson'

Both beautiful Hits, I would like to have a clone of Dolly (that time), but that hair is real?
Original - Dolly Parton - I Will Always Love You - (1974)
Cover - Whitney Houston - I Will Always Love You (1992)

Hit success in both versions (does not deserve on Britney Spears)
Original - Joan Jett & the Blackhearts - I love Rock 'n' roll (1982)
Cover - The Arrows - I Love Rock (1975)

Original (not a Hit) - The Family - Nothing Compares 2 U (1985)
Cover (a Hit) - Sinéad O'Connor - Nothing Compares 2 U (1990)

Both amazing:
Original - Burt Bacharach - Always Something There To Remind Me (1963)
Cover (a Hit) - Naked Eyes - "Always Something There To Remind Me" (1983)

Could not forget how the English 'Paul Young' did better the'Daryl Hall's' music.
Original (not a Hit) - Daryl Hall & John Oates - Everytime You Go Away (1980)
Cover (The Hit) - Paul Young - Everytime You Go Away (1985)

Hey Quincy, I know that you hear me! As it is, an arrangement can change everything.

12.10.16 @ 12:53