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Software » Windows
Merging Pyramix Virtual Studio 25th v13.0.3-V.R screenshot
Team V.R | 18 September 2020 | 675 MB
Pyramix is a digital audio workstation used by professional studios and engineers the world over for music production, mastering, TV and film post-production.

Pyramix, in combination with its networked audio interfaces offers the only end to end solution on the market to produce music digitally with an audio format that sounds like analog to humans.

We enable music producers to give no compromise to their music throughout the whole production chain, and give them all the tools needed for a broad outreach including latest “Next Generation Audio" streaming formats such as Dolby Atmos ®.

When purchasing a Horus, Hapi or Anubis, you can now choose between a free version of Pyramix or Ovation ELEMENTS software and immediately experience what it’s like to work in DSD/ DXD, the only audio format that makes you totally forget ones and zeros.

Merging Technologies has worked with companies such as Flux Audio to bring into Pyramix astounding plugins available in any resolution and at near zero latencies.

Did you think it wasn’t possible to have low latency in a computer?
Analog sound isn’t just about sonic character, but also about immediacy. Electricity travels at 300 million meters per second and this is what you need to provide a musician with for a great performance.
Merging Technologies developed the MassCore engine which allows your DAW to behave in real time. MassCore can be added to any Pyramix or Ovation system and brings in massive extra power, I/Os and ultra low latency.

Pyramix not only provides the most transparent analog-like DAW, it also provides you with cutting edge editing tools, such as the very unique source/destination mode which allows editing of huge multi track recordings at the speed of light just like it was a simple mono track.

Pyramix comes in many flavours to cater for different budgets, but always making sure you get to give the best sonic chances your music deserves with DSD/DXD. Pyramix has got a lot more for you… go and check our software packs for a full tour!

REFERENCE MASTERING TOOL
Pyramix has rightfully earned its place as one of the only solutions for quality mastering for every format. The ability to process and deliver almost any file format, advanced album publishing features, Hepta SRC algorithm, full ISRC code editing, full CD/SACD authoring toolkits and Dolby Atmos® are just a few of the reasons why the world's top mastering suites use Pyramix every day.

MISSION CRITICAL RECORDING AND PLAYBACK
Live recording of unique occasions can be a stressful business so it is reassuring to know that many of the leading location recording specialists use Pyramix. Major sporting events or one-off gigs have to be captured without loss and Pyramix has a host of features that ensure a quick result, as well as eliminating many of the risk factors associated with using DAWs on location. RAVENNA/AES67 connectivity makes back-up recording easy to set up and the high track count makes sure that all the sources can be managed.

INTUITIVE, STATE OF THE ART CLASSICAL MUSIC EDITING
Musicians demand perfection in their recorded performances, so the fact that the vast majority of concert halls and opera houses have Pyramix in-house tells a story. Countless Grammy Awards have gone to classical engineers and producers who demand the very best editing features. Take logging on the session is only one of the items that speeds up the process of assembling multiple takes, but source and destination editing, crossfade tools and a comprehensive DSD workflow makes Pyramix the only practical choice.

ULTRA HIGH COUNT RECORD/PLAYBACK
Complex recording projects may require a lot of tracks to ensure that everything is captured perfectly. Higher sample rates reduce the number of tracks available but if you use Pyramix, you are ahead of the game. The performance of Pyramix Native is impressive but MassCore takes it far beyond the competition with 384 ins/outs at 1FS and 48 at DSD and DXD rates.

ULTRA HIGH RESOLUTION MIXING/RECORDING
There is no substitute for recording at the highest possible resolution. Even if the final delivery format is at a different rate, having a pristine recording for posterity should be the goal. Pyramix has been pushing the boundaries since the beginning. DSD has been one of the options since the earliest days of SACD and now the adoption of RAVENNA has made DSD256 a reality. DXD was jointly developed by Merging and Philips so we understand the technology. The best Sample Rate Converter in the business ensures that your recording will sound magnificent at whatever rate you want.

LOW LATENCIES
Latency is unavoidable in digital audio processing but keeping it to the minimum is an essential part of the design process. Pyramix Native performs impressively with our ASIO driver and one of our Networked Audio Interface units. MassCore take this to another level with low to extra-low latencies from Live in to Live out. That is the Merging difference.

COMPACT RECORDING SOLUTIONS - PACK AND GO
Recording on location used to involve truck loads of gear. Recording devices have progressively shrunk over time but other items remained just as large. Capturing the recording on a laptop computer is a normal thing now, but you still have a ton of cable and microphone stands to carry around. Or you did until AoIP came to the rescue. Merging was one of the first to introduce powerful, but portable I/O solutions that just needed one Cat 5e cable. That meant the dream of carrying a whole recording rig on a plane or in a car became reality. RAVENNA ensures that the highest quality can be recorded easily on a portable rig. You still have the microphone stands but the rest of it fits in your suitcase!



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comments

  Releaser 21.07.2012 16491 7184
+623058



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  Resident 5.12.2012 813 21191
+14995
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  Contributor 11.10.2014 7932 15547
+389427
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  Resident 21.06.2018 452 15957
+9237
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  Contributor 31.03.2014 716 6803
+5817
  Member 10.02.2020 112
+33
Never heard of this, but it does look abit dated though
  Resident 7.01.2016 3 611
+184
Heard of this by few mastering engineers, IDK why it's popular for them.
  Resident 26.02.2013 21 2287
+3135
quote by krysdebHeard of this by few mastering engineers, IDK why it's popular for them.

Simply because with Magix Sequoia, it's the most transparent of DAWs.

Ask the Master Jedi Bob Ludwig.

EDIT :

Bob Ludwig on mastering and Pyramix

You can visit his studio thanks to Warren Huart :

Bob Ludwig: The Mastering Engineer's Mastering Engineer

' It's because the speed of light is greater than that of sound that so many people appear brilliant until they open their mouth ... '
  Banned 16.02.2012 705
+75
Magix Sequoia, it's the most transparent of DAWs???
LOL . . .
  Resident 26.02.2013 21 2287
+3135
quote by audiozuser76Magix Sequoia, it's the most transparent of DAWs???
LOL . . .

Absolutely. Ask all the mastering engineers in the real world business. Start by Bob Katz, you can reach him easily. Ask also the huge broadcasting companies. Also ask the AES people, and here, in Paris, all the PhDs at IRCAM and the best of the guys of the Langevin Institute ( ... ). But obviously you're unable to understand even the first line of any papers published there.

Why do I bother ? You're one of those parasites with such a long list of only negative ridiculous useless comments. 2 ( TWO ) on this very page.

So : you're a loss of time.

End.


' It's because the speed of light is greater than that of sound that so many people appear brilliant until they open their mouth ... '
  Moderator 21.01.2012 2361 16057
+161274
DAW, please avoid personal attack about family


audiozuser76 Again a greatly argued comment from you, specially the "lol" argument.... this
  Resident 16.05.2013 99
+35
Error when starting the program:

"Nombre del evento de problema: APPCRASH
Nombre de la aplicación: Pyramix.exe
Versión de la aplicación: 13.0.3.4810
Marca de tiempo de la aplicación: 5f5d3a0a
Nombre del módulo con errores: AlbumPublishingModule_x64u.dll
Versión del módulo con errores: 13.0.3.4810
Marca de tiempo del módulo con errores: 5f5d37cb
Código de excepción: c000001d
Desplazamiento de excepción: 00000000003de41a
Versión del sistema operativo: 6.1.7601.2.1.0.256.1
Id. de configuración regional: 11274
Información adicional 1: acfc
Información adicional 2: acfc9ab38c12ceb1eb86fba1899a5cd1
Información adicional 3: 0f52
Información adicional 4: 0f52c72a64ee127df26b872590447636"
  Banned 16.02.2012 705
+75
the Comment has been Removed
  Resident 26.02.2013 21 2287
+3135
the Comment has been Removed
' It's because the speed of light is greater than that of sound that so many people appear brilliant until they open their mouth ... '
  Resident 26.02.2013 21 2287
+3135
A florilège - it goes on and on :


Those comments are useless, insulting to everyone and this site. He should be banned.

" 16.02.2012 " , 8 years of pollution .
' It's because the speed of light is greater than that of sound that so many people appear brilliant until they open their mouth ... '
  Resident 4.02.2012 712
+228
This is like the very very odd Holy Grail, which no one is unsure is actually the REAL Holy Grail. I remember hearing about this odd one in 2001 and I looked at the price and went "....but WHY?!".
  Resident 20.11.2010 1085
+46
Installed, pached. Doesn't run and... ruined my system W10.
Never happenned to me with software here.
Studio One, not loading, reaper can't load a plugin non responsive.
So, recommend not download it.
  Resident 15.02.2019 337
+182
previous versions did not work either. this is a very complex DAW - it's integrated with their hardware (Horus, Anubis) so I doubt this would work very well even if it would be legit but missing their hardware let alone cracked, and, no offense, by V.R. which, let's be honest, it's not always by the book so to speak. I think he targeted something more than he can chew here.
  Resident 16.05.2013 99
+35
In my computers all previous versions worked fine, I´m having troubles only with this one.
  Resident 15.02.2019 337
+182
you installed and started it or you were actually able to use it and work with it reliably? genuine question, I'm really interested. (it probably has to do with the sound card/driver one is using, this thing is picky - I wasn't able to make the previous edition work - installed but never got it running)
  Resident 16.05.2013 99
+35
I use it regulary for recording, mixing and mastering.

The result is much better than with Pro Tools but in contrary the learning curve is longer.

With this program you MUST READ de manuals.

The program has a lot of features related with big broadcasting stations or complex stages that probably you will never use at home or even in a small studio.

If you need to work fast and audio quality is not your first need choice Pro Tools.
For hip hop, reggaeton, or dance music it is not a good choice.
  Member 20.10.2019 1 115
+69
Well if anyone did not notice that the patch.exe file is reported to have virus PICTURE
  Member 1.05.2019 5 115
+528
If you have problems opening the program, you must go to the VS3 Control Panel first and then select the correct ASIO driver for your AD/DA converter.
  Member 31.05.2015 23 81
+682
I always respected pyramix, Pyramix Comes with pyramix BEST SRC Apodizinfgfilter has best SRC Also Internal Time Strech use Zynaptiq ZTX Pro. Pyramix is a very powerful daw but if it's just about sound transparency ithink sequoia and samplitude in this regard are the most transparent sound in the world, I have tried them all, magix is the best in the world, you can try it yourself if you want
  Member 4.04.2015 154
+27
When ppl say that this is the most transparent daw, what does that even mean? does that statement have to do with sample accurate interpolation or something like that? If that's the case then I can understand the point bc not all daws operate with sample accurate interpolation, and the consequence of that is that some daws that don't consider this tend to add imd artifacts, unwanted noise to the signal, and not a precise representation of ur automation, but other than that, I really don't know that else is there that makes a daw "transparent" (if I'm missing something plz lemme know guys).

Some would claim src are different from daw to daw and that's correct, some won't sucessfully filter all the distortion and aliasing in the src process, and some will (check https://src.infinitewave.ca/); it all depends on the filter type that's been used, but that can easily be fixed with software like voxengo's r8brain or izotope rx's src, other than that I cannot think about nothing else that a daw could add to the signal to make it not transparent; if these are the only points to consider for "daw transparecy", there are some practical solutions, such as: 1) use daws with sample accurate automation (like reaper for example; u can also use JSFX to code a sample accurate plugin fader that u can later automate). 2) use quality src like voxengo's r8brain or izotope rx's src if ur daw doesn't provide proper src filtering. 3) (not related to the daw itself but still important nonetheless) use plugins that allows for sample accurate event processing and smart interpolation options, such as meldaproduction plugins.
  Member 31.05.2015 23 81
+682
The only thing I don't like is the CPU usage. example when use 3rd plugins cpu cannot use all cores like reaper and samplitude. can only use 2 cores, actually they use an SMP key that can use all core and it is integrated into the system but it doesn't work properly and the cpu usage is struggling very quickly
  Member 4.04.2015 154
+27
that's such a deal breaker if the majority of the processing u make is purely with plugins, this doesn't happen in reaper for example. and also, "daw transparency" as how I understand it isn't exclusive to only pyramix, it can also be achieved in others like reaper. also, reaper's functionality and ergonomics are unparalleled and u can modifty the daw however u want, plus reaper is hundreds of mb lighter than this; clearly pyramix is lacking big time in all these aspects, so this is defo a no-no for pyramix, but nonetheless I'm grateful that we can test it.

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