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Software » Windows
Merging Pyramix v12.0.4-V.R screenshot
Team V.R | 25 July 2019 | 666 MB
Pyramix is a digital audio workstation used by professional studios and engineers the world over for post-production TV and film, music production, mastering and many more audio-related industries where advanced tools and flexibility, combined with astounding sonic precision are required. The preferred recording tool for classical and acoustic music, reliability and high track counts make it ideal for live events.

•High resolution recording up to DSD256
•Ultra large track counts
•Immersive audio workflows
•Advanced editing features
•Video in Timeline
•Interchange format support

Pyramix comes in many flavours to cater for different budgets and tasks. A huge number of plugins and toolkits optimise Pyramix to provide you with the tools you need for maximum efficiency.

Combined with our Networked Audio Interfaces, Pyramix delivers the optimum sound quality and full control of your RAVENNA/AES67 network with ANEMAN Audio Network Manager, which is a standard feature in all software packs. MassCore combines huge track counts with low-latency mixing for the power user and provides the only sensible workflow for DSD file production, from recording, through editing to the final master.

REFERENCE MASTERING TOOL
Pyramix has rightfully earned its place as one of the only solutions for quality mastering for every format. The ability to process and deliver almost any file format, advanced album publishing features, Hepta SRC algorithm, full ISRC code editing, full CD/SACD authoring toolkits are just a few of the reasons why the world\'s top mastering suites use Pyramix every day.

MISSION CRITICAL RECORDING AND PLAYBACK
Live recording of unique occasions can be a stressful business so it is reassuring to know that many of the leading location recording specialists use Pyramix. Major sporting events or one-off gigs have to be captured without loss and Pyramix has a host of features that ensure a quick result, as well as eliminating many of the risk factors associated with using DAWs on location. RAVENNA/AES67 connectivity makes back-up recording easy to set up and the high track count makes sure that all the sources can be managed.

INTUITIVE, STATE OF THE ART CLASSICAL MUSIC EDITING
Musicians demand perfection in their recorded performances, so the fact that the vast majority of concert halls and opera houses have Pyramix in-house tells a story. Countless Grammy Awards have gone to classical engineers and producers who demand the very best editing features. Take logging on the session is only one of the items that speeds up the process of assembling multiple takes, but source and destination editing, crossfade tools and a comprehensive DSD workflow makes Pyramix the only practical choice.

ULTRA HIGH COUNT RECORD/PLAYBACK
Complex recording projects may require a lot of tracks to ensure that everything is captured perfectly. Higher sample rates reduce the number of tracks available but if you use Pyramix, you are ahead of the game. The performance of Pyramix Native is impressive but MassCore takes it far beyond the competition with 384 ins/outs at 1FS and 48 at DSD and DXD rates.

ULTRA HIGH RESOLUTION MIXING/RECORDING
There is no substitute for recording at the highest possible resolution. Even if the final delivery format is at a different rate, having a pristine recording for posterity should be the goal. Pyramix has been pushing the boundaries since the beginning. DSD has been one of the options since the earliest days of SACD and now the adoption of RAVENNA has made DSD256 a reality. DXD was jointly developed by Merging and Philips so we understand the technology. The best Sample Rate Converter in the business ensures that your recording will sound magnificent at whatever rate you want.

LOW LATENCIES
Latency is unavoidable in digital audio processing but keeping it to the minimum is an essential part of the design process. Pyramix Native performs impressively with our ASIO driver and one of our Networked Audio Interface units. MassCore take this to another level with low to extra-low latencies from Live in to Live out. That is the Merging difference.

COMPACT RECORDING SOLUTIONS - PACK AND GO
Recording on location used to involve truck loads of gear. Recording devices have progressively shrunk over time but other items remained just as large. Capturing the recording on a laptop computer is a normal thing now, but you still have a ton of cable and microphone stands to carry around. Or you did until AoIP came to the rescue. Merging was one of the first to introduce powerful, but portable I/O solutions that just needed one Cat 5e cable. That meant the dream of carrying a whole recording rig on a plane or in a car became reality. RAVENNA ensures that the highest quality can be recorded easily on a portable rig. You still have the microphone stands but the rest of it fits in your suitcase!




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comments

  Contributor 2.11.2014 2154 10965
+62539
Uploaded | Rapidgator | Rockfile | Uploadboy | Katfile | Douploads

Support me:
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  Contributor 11.10.2014 1624 7207
+72982
Uploaded | Rockfile | Rapidgator | Filefactory
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https://ddownload.com/free111357.html
  Resident 5.12.2012 823 20853
+14213
Uploaded | Rockfile | Rapidgator | Douploads
  Resident 1.10.2013 4679 9262
+51166
Rapidgator / Uploaded
  Member 5.06.2017 23 3108
+1621
SUPPORT for new soundbanks,plugins and more:
http://ul.to/ref/10320052
http://rapidgator.net/account/registration/ref/2662001
https://ouo.io/O2Zfhm
  Resident 26.09.2012 3 1545
+750
thanx. it's easier to fly to the Moon than to figure out this daw. i tried a couple times, failed miserably (not the flying)

also, the installer is 666 mb, which is the number of sAtan ! must be only used in churches lol
  Resident 7.04.2013 126
+46
It's so expensive they make money out of showing you how to use it.

Here comes another three months of freebie support questions over the ranch.
  Resident 26.02.2013 27 1986
+2677
quote by Fudsey PlangeIt's so expensive they make money out of showing you how to use it.

Here comes another three months of freebie support questions over the ranch.


It's the price of a good stereo master print tape machine. So it's far from expensive.

People who buy it certainly don't need lessons on how to use it.
' It's because the speed of light is greater than that of sound that so many people appear brilliant until they open their mouth ... '
  Resident 7.04.2013 126
+46
If you know how to use it, you don't want to learn anything new, is more like the real world.
  Resident 15.11.2013 203
+47
You're right about the pricetag... but believe me one thing: Just because people are pro's doesn't mean they have masochistical tendencies. Everyone at the post pro facility I worked at hated it. Compared to this brat, we LOVED Pro Tools.
It's a daw spread over a dozen exes where absolutely nothing is where you would put it if you were to design the gui.
Look and feel is as Mediacomposer was ported from PowerMac to Linux (badly), and then ported to windows from there.
If you love that piece of software, gosh how I would love to see a livestream from you bedroom
  Member 9.07.2019 9
0
quote by pro tools 10also, the installer is 666 mb, which is the number of sAtan ! must be only used in churches lol

I saw this too, but when I download this rar file, it has a 667 Mb
This is in the Opera. but in File Explorer. - only 666((
  Banned 22.08.2015 660
+81
"Trust me is better to drag here and not better where you think is better to drag, I think first too, but I know now I am not right... " ??

WTF ?!? LMAO!

Anyway, looks fine but seems not usable.
  Resident 16.03.2014 1355
+411
Never heard of this DAW before.
Does it even support Vsti?
  Member 20.12.2015 4 75
+115
No it doesn't
  Resident 16.05.2013 94
+34
Although not simple to learn, it is simply the best audio recording, playback & mixing engine ever made !!!

I absolutely recommend it, the quality of the recordings and mixes is unbeatable.
  Resident 26.02.2013 27 1986
+2677
quote by 890zxAlthough not simple to learn, it is simply the best audio recording, playback & mixing engine ever made !!!

I absolutely recommend it, the quality of the recordings and mixes is unbeatable.




Thanks to MassCore audio engine, Pyramix reach ultra low latencies. It's SRC also kills even the Saracon. And MANY other amazing features but...

... no VSTi :-((

So Sequoia rules it, with its ease of use ( in comparison ), the unbeatable Object Editor, and the top Hybrid Audio Engine - among other exceptional features too -.

** If you're in a mastering plant, you use Pyramix.

** If you want the best DAW available to create (and share) music, you use Sequoia.
' It's because the speed of light is greater than that of sound that so many people appear brilliant until they open their mouth ... '
  Resident 16.09.2010 1394
+138
No, I don't.

You may.
Yaaaaawn
  Resident 26.02.2013 27 1986
+2677
I was answering to my friend 890zx, not to you.

It's been a long time that I'm not interested by your usual a priori comments, 99% negative about everything posted on AZ ( as everyone can check from your history ), totally useless and so leading nowhere for our community.

And 2 more on this very page :

quote by I friggin rock
Its ugly as fook


quote by I friggin rock
It does show in video a VST insert menu.

' It's because the speed of light is greater than that of sound that so many people appear brilliant until they open their mouth ... '
  Member 15.02.2019 165
+102
the Comment has been Removed
  Member 15.02.2019 165
+102
quote by 890zxAlthough not simple to learn, it is simply the best audio recording, playback & mixing engine ever made !!!

I absolutely recommend it, the quality of the recordings and mixes is unbeatable.

what do you mean quality of recordings and mixes? do you imply DAW (s) have sound?
  Resident 16.05.2013 94
+34
Pyramix has a particular form of to record, process and sum the audio signals, resulting in a complete phase alignment of all the harmonics (or for to be more precise an exact image of the sound source).
This is true with individual signals and when summing signals in the mixer.
At the same time each audio files are recorded in the disk in a single unfragmented chunk wha helps to a smooth streaming in playback.
The resulting audio quality is far better than in Cubase, Nuendo & Sequoia and particulary audible in the low and mid-low range where the bass sound perfectly well defined without out of phase artifacts.
I use it since version 5 and even in this old version the sound quality was superior.
  Resident 16.05.2013 94
+34
Also must be considered that Pyramix is NOT a DAW, it is an Audio recording and post-production system, it has a limited MIDI only dedicated to synchronization process and does not have VSTi support or MIDI recording capabilities.
  Moderator 21.01.2012 1562 13310
+94937
890zx Very interesting, thank you
  Member 15.02.2019 165
+102
quote by DAW
** If you're in a mastering plant, you use Pyramix.

** If you want the best DAW available to create (and share) music, you use Sequoia.


many top mastering engineers use Sequoia
  Resident 16.09.2010 1394
+138
Its ugly as fook
Yaaaaawn
  Resident 16.09.2010 1394
+138
It does show in video a VST insert menu.
Yaaaaawn
  Resident 7.04.2013 126
+46
It supports VST, VST3 and VS3 (its own format). It doesn't support VSTi. And remember, all DAWs are supposed to be the same, which they very nearly are*. Sequoia offers nothing that Samplitude doesn't offer the musician and removes some of the musical functions that post production users don't need. Sequoia costs so much because it offers post pro tools such as four point enditing that muscians almost never need.

*See data loss in Ableton Live including fix from Ableton Support...

https://www.gearslutz.com/board/music-computers/1244749-data-loss-low-level-signals-2.html
  Resident 22.05.2014 77 753
+1724
quote by Fudsey PlangeSequoia offers nothing that Samplitude doesn't offer the musician and removes some of the musical functions that post production users don't need.

I would like to know more about those removed musical functions!
  Member 15.02.2019 165
+102
quote by Fudsey PlangeIt supports VST, VST3 and VS3 (its own format). It doesn't support VSTi. And remember, all DAWs are supposed to be the same, which they very nearly are*. Sequoia offers nothing that Samplitude doesn't offer the musician and removes some of the musical functions that post production users don't need. Sequoia costs so much because it offers post pro tools such as four point enditing that muscians almost never need.

*See data loss in Ableton Live including fix from Ableton Support...

https://www.gearslutz.com/board/music-computers/1244749-data-loss-low-level-signals-2.html

from what I gather it's not even VST3. only VST and VS3. did anybody successfully ran this version? does it work? last version, also by V.R. wasn't working. at least for me.
  Resident 26.02.2013 27 1986
+2677
quote by Nanook
what do you mean quality of recordings and mixes? do you imply DAW (s) have sound?

If I may intervene, as this question rises from time to time :

Lynn Fuston's CD ( DAW comparison ) tried to show that with :

all faders at unity,
no plugins or other DSP in use,
all pans hard left and right,

so: as " flat ", they sound the same. But even then some didn't agree with the method and heard differences ( they pretended ).

But we don't use DAWs as " flat ", do we ?

The very moment you engage a parametric EQ, they'll sound different. The same Q factor does not mean the same shape of bell, phase-altering of the signal, precision of the algorythm used / quantization distortion, aliasing and what else.
It will be the same with fades, summing, SRC, dithering, rendering scheme / rendering precision. So the differences will add up.

( To mention the (most) linear processes; certainly not the internals reverbs, limiter, compressors etc which will clearly be differents processes from DAW to DAW ).
' It's because the speed of light is greater than that of sound that so many people appear brilliant until they open their mouth ... '

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