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Education » Video Tutorials
Piano Technique 101 - The Perfect Legato screenshot
ilfsn | 0.5 Hours | 485MB
Are you a piano student and want to improve your technique?
Are you struggling with sound control and playing too loud like hammering the keys?
Does your hand get tired when playing arpeggios and accompaniments?

This class is dedicated to any pianist, amateur, beginner or advanced who wants to improve his technique, specifically when playing arpeggios and legato accompaniments.

In this course you will acquire skills that will allow you to:

Play legato with more control and balance.
Relax your hand when you play accompaniments, especially when playing arpeggios.
Combine touches like staccato and legato in both hands.
Expand the extension of your hand with exercises in 3 and 4 notes arpeggios.
Get control of the sound and balance that you produce according to the natural rhythm of the figures.

Through 100% practical videos you can follow these exercises emphasizing the basic principles of a good technique.

Enroll in this class and start developing and improving your piano technique today by controlling your sound and embellishing your dynamics.

Welcome!!

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comments

  Resident 21.04.2014 1585
+328
What she says in this course makes all sense and is the first foundation to be had on the piano, while many people start wrong by lowering each independent finger that causes irreparable vices. If you don't do what she teaches here, you will never play Beethoven.

What she does is as if you set to pull the arrow against the bow so that there is tension, and then shoot the arrow, all the work is done alone after setting the bow tension.
With the hand at the piano does the same thing but to avoid tension, we set the rotation to get easier, the fingers in situations like arpeggios and scales are barely armed, when the rotation causes the finger to touch the exact keys, like arrows dropping in every key. Only this feature will make you play entire piano concerts, otherwise you'll be forever in mediocre pieces and some basic standards.
I think it's amazing that some people do this naturally without having to teach, many jazz pianists play this way without knowing, and so they are so good. Oscar Peterson had all the scholarly piano training and knew how to do all this rotation to avoid tension in his fingers, wrists and arms, and that's why he played so fast with perfect scales on both hands.

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