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22.11.2016 @ 15:08 Education » Literary » Songbooks, Sheets

A Guide to Playing the Baroque Guitar by James Tyler

English | Publisher: Indiana University Press, 2011 | PDF | 173 pages | 6 MB
James Tyler offers a practical manual to aid guitar players and lutenists in transitioning from modern stringed instruments to the baroque guitar. He begins with the physical aspects of the instrument, addressing tuning and stringing arrangements and technique before considering the fundamentals of baroque guitar tablature.

In the second part of the book Tyler provides an anthology of representative works from the repertoire. Each piece is introduced with an explanation of the idiosyncrasies of the particular manuscript or source and information regarding any performance practice issues related to the piece itself―represented in both tablature and staff notation.

Tyler’s thorough yet practical approach facilitates access to this complex body of work.

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makaveli	status	registered	posts	comments	rating
makaveli	Resident	5.12.2012	816	21279	+14950

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22.11.16 @ 16:46

moji20	status	registered	posts	comments	rating
moji20	Banned	3.08.2012	74	17231	+5145

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23.11.16 @ 02:45

Hans Irgend Blumenfeld	status	registered	comments	rating
Hans Irgend Blumenfeld	Resident	21.04.2014	1589	+330

Amazing RS.
One of the greatest masters I ever had, a musician who played in most Baroque orchestras in Europe, shouted a lot to us students: "NEVER TIE THE OCTAVES ". We never connect the octaves in baroque music, which does not mean to do Stacatto, do anything, but use non legato.
In your next audition, realize this, if the musicians DO legato in octaves in baroque music, it is because they did not have a good training, the best musicians never commit this cruel mistake, and worse many bad cds on orchestral music comes with those same mistakes, which disqualifies any work in the scholarly world.
I have listened to brilliant guitarists who know how to play baroque, even when playing popular arrangements.
You will form a better critical sense and you will realize that there are solid criteria to be critical of art. So, next time, when you do your work whether on guitar or as a "double" bass player, your octaves will sounded clean on Bach after this comment, or maybe not if you had a good school.
Not too much is known of this musical period, but the little that is known, is respected to the extreme, to what make a lot of sense.

22.11.16 @ 23:14