Celemony Melodyne 5 Studio v5.3.0.011 Mac [MORiA]

MORiA | September, 14 | STANDALONE | AU | VST3 | 96.7 MB
Melodyne is a software application which you can edit audio in a more musical way than was ever thought possible. In Melodyne, you work with notes – and not with a meaningless wave form. You don’t just see where the music gets louder or quieter but also where notes begin and end and at what pitch they lie.

Note-based audio editing
Melodyne grants you unrivaled access to all the musical details in your recordings and samples – note by note. This is made possible by a sophisticated analysis that delves deeply into your recordings and samples, and recognizes and understands the musical relationships within them: the individual notes and their characteristics, the scales, keys and chords, the timing, the tempo, the tone color. And with Melodyne you can edit all these things intuitively. With vocals, but every type of instrument as well – including polyphonic ones, such as the piano and guitar.

Notes and tools
In Melodyne, notes are represented by blobs. By manipulating these with Melodyne’s powerful tools, you can edit (among other things) the pitch, vibrato, volume, sibilants, length, timing and formants of each note. In this way, you can enhance in a musical yet straightforward manner the intonation, phrasing, dynamics and timbre of a performance. While ingenious algorithms ensure your editing’s almost always inaudible, sensitive, natural.

Why Melodyne is better
That Melodyne sounds so good and is so simple to use is based on two things. The less important is the technology.
The decisive factor is its understanding of the music.
Melodyne identifies the notes and the relationships between them. It is only as a result of this knowledge that Melodyne’s algorithms are able to “think” and operate in such a musical way. The benefits to you as a musician and producer include the famously superior sound of Melodyne and many other advantages that software lacking this understanding of musical contexts is incapable of offering.

New in Version 5.3

The update to Version 5.3 contains improvements and bug fixes, which is why we recommend it to all users. Moreover, Melodyne 5.3 is required for ARA integration into Pro Tools 2022.09.

New features and improvements
- Surround: In both ARA and Transfer modes, Melodyne can now also be used for the editing of tracks in the standard surround formats.
ARA in Pro Tools: Melodyne 5.3 comes with all the technical prerequisites for ARA integration into Pro Tools from Version 2022.09 upwards and thus makes a significantly improved workflow in Pro Tools possible.
Preferences: When Melodyne is employed for the first time as a plug-in, it loads the set of keyboard shortcuts corresponding to the DAW you are using.
Bug fixes

- Recording: In the stand-alone implementation of Melodyne, you can now also use a recording device with a mono input (e.g. a MacBook microphone).
ARA in Cubase: When moving an ARA event to a track that is not selected, the selection in Melodyne is now retained.
Pro Tools: The position of the playback cursor in Melodyne is now correctly updated even when playback is stopped.
AAX in Pro Tools: When bouncing/committing, Melodyne now correctly evaluates the offline setting.

- The Correct Pitch macro: When the macro was applied to a very large number of notes simultaneously, Melodyne would sometimes freeze. This no longer happens.
Preferences: Previously, in ARA mode, the keyboard shortcut for “Playback Selection” was erroneously listed under “Others” instead of under “Transport Bar”. This has been fixed.
The Note Inspector: The input field for Sibilant Balance now reliably accepts input even when multiple tracks are being edited simultaneously.
ARA in Cakewalk by Bandlab: Under certain circumstances, Melodyne would crash when loading a session. This has been fixed.
Ableton Live: The cause of random crashes when Melodyne was running in Live 11.1.1 under macOS Monterey on a Mac with an M1 chip has been detected and eliminated.
Note editing: The “Restore Original” commands in the Edit menu now behave more consistently in the stand-alone implementation, in the Transfer plug-in and under ARA.