REQ: Scoreclub Orchestrating the Line 1,2,3
Orchestrating the Line 1:
Designed to take what you learn in orchestration textbooks and give you the tools, techniques and clear steps to harness your knowledge of orchestration so you can create detailed, organic and fluid orchestration like the greats: Ravel, Elgar, Tchaikovsky, Korngold and John Williams.
“Orchestrating the Line” is not a basic orchestration class and does not deal with instrument ranges, playing techniques and chord voicings. This is knowledge you should have as you embark on this course and learn to harness that knowledge into melody-based orchestration like Ravel, Rimsky Korsakovm Mussorgsky, Dukas, Korngold and John Williams!
Orchestrating the Line 2:
Orchestrating the Line 2 is a thorough, systematic course covering the building blocks of orchestral accompaniment writing. You’ve learned harmony and voice-leading, counterpoint and instrument ranges but can’t put the pieces together in you writing? This course is designed to put the pieces of the puzzle together.
Orchestrating the Line 3:
This course is an in-depth study of textural, colouristic writing for orchestra. Through a high level of detail and detailed steps, OTL 3 is the road-map to master every element of textures, gestures and runs in order to write and use them like the great composers.
Designed to take what you learn in orchestration textbooks and give you the tools, techniques and clear steps to harness your knowledge of orchestration so you can create detailed, organic and fluid orchestration like the greats: Ravel, Elgar, Tchaikovsky, Korngold and John Williams.
Have you studied orchestration but need a way to get your orchestrations sounding like those of Ravel, Rimsky, Korngold and John Williams? This is exactly what “Orchestrating the Line” was designed for.
“Orchestrating the Line” is not a basic orchestration class and does not deal with instrument ranges, playing techniques and chord voicings. This is knowledge you should have as you embark on this course and learn to harness that knowledge into melody-based orchestration like Ravel, Rimsky Korsakovm Mussorgsky, Dukas, Korngold and John Williams!
Orchestrating the Line 2:
Orchestrating the Line 2 is a thorough, systematic course covering the building blocks of orchestral accompaniment writing. You’ve learned harmony and voice-leading, counterpoint and instrument ranges but can’t put the pieces together in you writing? This course is designed to put the pieces of the puzzle together.
Orchestrating the Line 3:
This course is an in-depth study of textural, colouristic writing for orchestra. Through a high level of detail and detailed steps, OTL 3 is the road-map to master every element of textures, gestures and runs in order to write and use them like the great composers.