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Metric Halo (MHMBS) - CGII_v4.0.71.235 -X-Metric Halo (MHMBS) - DBVerb_v4.0.71.235 -X-Zynaptiq BALANCE v1.0.2 -X-Native Instruments Circular v1.0.0 KONTAKT-HiDERAToontrack EZkeys v2.1.2 - V.RZynaptiq INTENSITY 2.0 -X-PSP BussPressor_v2.0 -X-

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Your Primary Genre
Soundtracks - 810 (5.14%)
5.14%
Pop, R&B, Funk - 1388 (8.8%)
8.8%
Rock, Metal - 2330 (14.78%)
14.78%
Rap, Hip Hop - 3192 (20.25%)
20.25%
Jazz, Classical - 568 (3.6%)
3.6%
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0.95%
Avant-Garde - 166 (1.05%)
1.05%
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Ska - 36 (0.23%)
0.23%
Electronic (general) - 3340 (21.18%)
21.18%
- Ambient, Lounge - 315 (2%)
2%
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2.99%
- D&B - 556 (3.53%)
3.53%
- House - 1332 (8.45%)
8.45%
- Trance - 698 (4.43%)
4.43%
- Industrial - 283 (1.8%)
1.8%

15766 votes

audiosex feed

Native Instruments Intros Circular Expressive Polyphonic Sequencer [Poll] Do you consider yourself Talented ? SALE!: Studio One 7 Pro, Plugin Alliance, Komplete 15, GForce, Addictive Keys, Addictive Drums 2 Do you tune kick and snare in pop? Problem with Live 12.1.11 R2R Windows and EZDrummer 3 VR? Angel Lights - Added new content, 3 new songs and I am looking for feedback / general thoughts. audio shitposting meme thread What's a piece of software you could make an in-depth tutorial about? How do I stop plugins from connecting to the internet and calling home? Kontakt Wallpaper Requests & Comments

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fresh releases

Education » Video Tutorials
Lynda Learning Max for Ableton Live TUTORiAL screenshot
P2P | 02 Apr 2021 | 215.2MB
Do you want to experiment with sound and synthesis? In this course, instructor Emmanuel Henri shows you how to extend your compositions in Ableton Live by using the Max programming environment. Emmanuel gives an overview of what Max is and how it extends the Ableton Live application. He explores instrument options in the Max library, as well as MIDI effects and audio effects in the Max API. Emmanuel walks you through the Max programming interface, how to construct Max scripts, and how to add and test Max patches. In case you run into snags, he covers online documentation for Max and community-created patches for Max, then concludes with an introduction to NodeJS for Max.
Samples » Kontakt
Soundiron The Ruler KONTAKT screenshot
KONTAKT - 884 MB
Soundiron is known for our willingness to take sampling ever farther, to go to any lengths and explore every inch of the sonic world. Our never-ending quest is sampling literally every measurable sound in the universe that has musical potential. Perhaps we're compensating for a long-hidden fear that we won't measure up, or maybe it's just that we're willing to go miles beyond the rest to set a new metric for excellence. Time and time again, we've set new benchmarks in sampling and elevated the art to a whole new scale. We're willing to break all the rules in our quest. Our goal is always to reach imperial quality, no matter how tall the order. When we find that our catalog has fallen short, rather than inch along, we put our foot down and fill in those gaps, because we'll never sell you short.
Samples » Kontakt
Rigid Audio - Angus for Kontakt screenshot
AudioZ Exclusive | Kontakt | 62.2 MB
ANGUS is a full-featured wavetable-based Synthesizer with 800 instruments across 15 categories.It features 2x 128 wavetables split into two Oscillators, a comprehensive effects section as well as an Arpeggiator, Chordplayer, two Stepmodulators and an intelligent musical patch randomization.
Education » Video Tutorials
Lynda Using iZotope Neoverb TUTORiAL screenshot
P2P | 02 Apr 2021 | 259.2MB
In this course, instructor Mark Struthers gives an overview of the Neoverb interface, including an explanation of how it is a different type of reverb plugin and examples of Neoverb in use. Mark explains the Pre-delay and Smooth functions found in the general editing area. He shows you an example of Reverb Assistant in action, then shares illustrations of the available presets. Mark goes into how Auto Cut works to create a Pre-EQ curve that removes potential frequency issues. He discusses how to use the advanced option parameters Time and Size with the Reflections engine. He examines the Attack, Crossover, and Damping functions, then takes a look at the general modulation function. Mark concludes by exploring the masking option in the Reverb EQ view.

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