GHXST Kit Vol. I WAV
FANTASTiC | 19 December 2018 | 29 MB
60+ sounds. The basis for nearly all of my productions from late 2015 - early 2016.
If, for some reason, you'd like to sound a little bit like me - this is where to start.
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FANTASTiC | 19 December 2018 | 29 MB
60+ sounds. The basis for nearly all of my productions from late 2015 - early 2016.
If, for some reason, you'd like to sound a little bit like me - this is where to start.
Rob Papen BLUE II v1.0.3b CE-V.R
Team V.R | 19 December 2018 | 106.40 MB| NKS: 1.04 GB
First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.
Noiselab Things Every Ableton Producer Should Know II TUTORiAL
AudioZ Exclusive | 19 December 2018 | 266 MB
This course will highlight aspects of Ableton Live that will help you develop a more efficient and productive workflow, as well as introduce some unique creative possibilities. This is the sequel to our popular Things Every Ableton Producer Should Know mini-course, so be sure to check that out if you have not already. The concepts and techniques covered in this course are important for any producer that values their time and efficient workflow, and will give you an edge as an Ableton producer by enabling you to work in your projects and execute your creative ideas much quicker.
Noiselab Things Every Ableton Producer Should Know Part I TUTORiAL
AudioZ Exclusive | 19 December 2018 | 291 MB
Learn several useful tips that you may not be aware of. We will demonstrate how to not only name scenes, but also assign a tempo and time signature to individual scenes. Converting audio to MIDI will be demonstrated, which can be a useful tool when you're not able to translate a musical idea in your head (or contained in a sample). The concepts of grouping tracks and grouping devices (which creates a rack) will be covered in more detail, which will give you much more flexibility when dealing with multiple devices or tracks. Lastly, we'll cover slicing audio to MIDI and slicing with the Simpler instrument, which are two features that any Ableton user will be able to take advantage of. These hard-to-find skills will give you an edge as an Ableton producer.