Dash Glitch Psytrance Production Masterclass TUTORiAL

It was a decade , since I realized(after 15 years of organizing festivals, open-airs and partying,), that there's nothing more to expect from it. Actually, I realized it much earlier. Before that "escape", I attended open-airs for several years, but only if I played there.
Maybe I'm being overly snobbish, but I've always been annoyed by the outer wrapper of the psy movement as a cultural phenomenon...
Pseudo-"hippie", shouts about PLUR and, at the same time, for example, a fight over a dispute about a line-up (a drunken Ocelot I don't remember with whom specifically).
Since the early 00s, I preferred the sound of Demon Tea Rec., early South African scene, Parvati. But most of all I gravitated to the sound of Midimiliz(Spirallanz), X-Dream, The Delta & co,, Boshke Beats(!!!) I was told that this is a dead-end branch.)
Well, what we see is that Midimiliz, constantly evolving, created Extrawelt and deservedly took the place of the luminaries of the electronic scene outside of one specific genre. But most of the "artists" continue to rivet generic psy-trance, the same as 15 years ago.
There were a lot of interesting things at the turn of the 2000s, for example, psy-breaks was born in 97-99 and died soon after, I recommend to anyone who doesn't know what I'm talking about to listen to VA - Iconoblast (1997) from Symbiosis Records.
Yes, there were and still are original musicians, for example Vasya Psychovsky, Nikita Tselovalnikov (Penta) or some representatives of Twisted Forest Sound. Psy-prog has turned from a deep minimalistic hypnotism into chewing gum. And the unique sound (no kidding) of Sensient has become the same type of mainstream. It has come to the point that the zenonesque sub-genre is now called psy-techno.)))
I do not claim that my opinion is the ultimate truth. But I see it that way. Cheers!