Chordal Enrichment & Chord Substitution - Sal SalvadoR

Dominants, where secrets hide, is not for nothing that is called dominant,
Because it exercises dominion over all the tonality, dominates everything.

'Schoenberg' wrote in his famous book 'Hamonia' that we should not call the major chords with the minor 7th addendung of a dominant chord, because it is the fundamental chord " I " that is where everything ends, exactly in the tonality itself, in which determines everything and that is the true dominant one, the dominant basis. But, for me, all that gas inside the dominant chords is that play with everything inside the tonality. For me dominant it's perfect.

A mistake is to say: 'dominant seventh chord', when is pure redundancy or pleonasm, because without the minor seventh on a major triad there will never be a dominant chord, because the tritone is only made between the major third and the minor seventh, which always closed together in the fundamental and on the major or minor third of the next chord, that will always be a perfect fifth below in the natural circle of the fifths, what will never be different, you might even suspect that our audition was pre-programmed to listen this way.