Song Means: Analysing and Interpreting Recorded Popular Song by Allan F. Moore

English | Publisher: Ashgate, 2012 | PDF | 411 pages | 3 MB
Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, lyrics.

Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (in the most part, within psychology and philosophy) but still deeply relevant to the experience of song.

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moji20	status	registered	posts	comments	rating
moji20	Banned	3.08.2012	74	17233	+5145

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30.10.16 @ 04:13

Hans Irgend Blumenfeld	status	registered	comments	rating
Hans Irgend Blumenfeld	Resident	21.04.2014	1585	+329

Is it because american jazzists did all better in their own music, not only harmony, melody and rhythm, but the text inside their original songs in their native english language, such text that tells the feeling on what to do on the arrangment.
By the way, 'The Lady is a tramp', was not translated to the most important languages of the world.

4.11.16 @ 20:16

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