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Windows, Mac OSX
Glitchmachines Scope WiN/MAC-DISCOVER screenshot
DISCOVER | 14 APRiL 2014 | 1.13GB

Scope is a modular sound generator and effects processing plugin geared toward experimental sound design and electronic music production. Scope’s open-ended graphical patching system and diverse set of modules give you access to a new customizable processing environment capable of a very broad range of effects.

Scope’s tactile workflow and vast sonic potential will inspire you to push the envelope, while its flexible architecture invites you to try imaginative new routing scenarios to explore endless possibilities. Use it to generate vivid electronic tones and textures or to process your drum loops, soft synths, sound effects and external hardware.

At the heart of Scope, you will find a selection of modules you can freely configure by populating up to 8 slots. Once populated with a module, a slot will give you access to up to 4 input and output nodes, which you can freely connect via Scope’s virtual patch cables. Inputs and Outputs are configured to have the ability to send and receive multiple signals at once, making very complex modulation scenarios possible. Scope ships with 26 modules ranging from effects to utility, with additional modules already planned for future updates.

Scope’s unique workflow and interface will change the way you think about modulation and signal processing. The plugin makes it possible to set up completely self generating patches, making it equally capable as a sound generator and effects processor. Our designers have included a variety of external and internally generated effects patches to show what the plugin is capable of. To get you started, we’ve included 160 patches by Subjex, Balkansky, Thomas Hennebert, Apparition, Daed, John Black, Shiro Fujioka and Blush Response.

Glitchmachines Scope WiN/MAC-DISCOVER screenshot
Embracing all things modular, Scope includes a Eurorack modular synthesizer sample library comprised of over 1500 samples. We worked with 6 of the best module manufacturers to put together the Eurorack system used to generate all the content. Our goal was to create a functional counterpart to Scope; something you can’t easily achieve with a computer that interacts well with the plugin and gives you a new palette of sounds to work with right out of the box. Focused on the darker side of modular synthesis, sound designer Ivo Ivanov created a collection of compelling effects that are equally distinctive and indicative of the depth of Eurorack’s prodigious sonic landscape.

Crafted with a combination of analogue and digital modules, Scope’s library is packed with gritty and intricate synthesizer sounds in the form of hits, stabs, glitches, one shots and asymmetrical passages you can use to create your own rhythms, basslines, percussive elements and much more. To give you a true sense of the modular sound, the library features raw samples with no further processing. Import the sound effects into your favorite DAW or sampler and process, stretch, bend and twist them into something truly unique. To show you how the samples can be integrated into your projects, we’ve included loops by sound designers Ivo Ivanov, Thomas Hennebert, Apparition and Daed.

INTELLIJEL:
A Canadian based rag tag team of engineers, university professors, music makers and synth geeks. Their passion for creating tools and instruments for electronic music production and sound design has lead them to producing one of the largest and most innovative range of sophisticated synthesizer elements in the popular Eurorack format.

TIPTOP AUDIO:
Tiptop Audio, lead by Gur Milstein, is a technology based company from the Silicon Valley that changed the fundamentals of how musicians now use a modular synthesizer, building high tech modules and patented accessories that turns modular into a complete music production tool with an outstanding sound quality and user interface, forming a new generation of electronic musical instruments.

STEADY STATE FATE:
Fueled by a emotive connection with sound and a passion for electronic music, SSF seeks to advance modular synthesis with unique and powerful tools for sound design and electronic music production. They strive to bring forth new ideas in modular form that foster a creative convergence of mind and machine with inventive, feature-rich designs.

MAKE NOISE:
Based in Asheville, NC, Make Noise see their instruments as a collaboration with musicians who create once in a lifetime performances, pushing boundaries, playing the notes between the notes and discovering unfound sounds. Their vision is to inspire us to change musical trajectories thereby impacting the way we understand and imagine sound.

MALEKKO:
Malekko Heavy Industry Corporation is a specialty guitar pedal and synthesizer module maker based in Portland, Oregon and proudly produces products made in the USA. Malekko is co-owned by entrepreneur Josh Holley and music industry veteran Paul Barker. Used and loved by musicians and sound designers across the planet, Malekko is renowned for its compelling and musical range of products.

THE HARVESTMAN:
The Harvestman, lead by Scott Jaeger, is known for their unique digital designs including the world's first voltage-controlled bit crusher, a circuit-bendable loop sampler, a wavetable oscillator featuring 4,096 waveforms arranged in a 3-D cube and modular adaptions of the Soviet Polivoks synth, in cooperation with its designer Vladimir Kuzmin.

FEATURES:
• Fully patchable modular sound generator and signal processor
• Sample library with 1500+ modular SFX in 24bit/96khz .wav
• 26 Modules ranging from Oscillators & Delays to LFOs & Mixers
• Freely configurable module slots and signal flow
• Tactile graphical patching system with virtual patch cables
• Real-time animated audio analyzers and visualizers
• 160 patches from 8 cutting-edge sound designers and artists
• Cross-platform compatibility (PC/Mac - VST/AU 32bit & 64bit)

SYSTEM REQUIREMENTS:
• VST/AU host such as Ableton Live, Logic Pro, etc.
• Approximately 2 GB of hard drive space
• Mac OS X 10.7 or higher (PPC not supported)
• Windows Vista or higher
• Minimum 2 GB Ram
• CPU with SSE2 support
• Minimum recommended CPU: Core 2 Duo, 2GHz







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comments

  Banned 31.12.2012 1002 2951
+22141
just made my day Discover
  Member 14.04.2014 30
+1
Awesome :D
  Member 28.02.2014 60
+16
Thanks, that looks a very cool effect tool :D
  Member 9.10.2013 15
+3
great way to end the week. thanks!
  Resident 23.08.2013 1 461
+132
wooo hooo.. itrs finally here..! Thank you DISCOVER..!!
  Resident 7.03.2013 1 79
+334
Just outstanding!!
We are all captives of the picture in our head -- our belief that the world we have experienced is the world that really exists. - Walter Lippman
  Resident 25.04.2012 74 7705
+14323
Looking forward to checking this one out when I have the time. Thanks for the share, perfect for IDM.
“Never underestimate the power of stupid people in large groups.”
  Member 7.02.2014 3
0
Amazing! Thank You so much!
  Banned 24.10.2011 3 1069
+390
That kind of blend between melodic/noisy/glitchy sound needed for darker and twisted music.
thanks !
  Resident 25.04.2012 74 7705
+14323
Yep I actually read a person here say in Spanish that glitch is passe. I almost hurt myself laughing, perhaps they never heard of IDM which is doing more interesting stuff than the tired dubstep bullshit and about a million other genres. You know what they say about opinions. screenshot
“Never underestimate the power of stupid people in large groups.”
  guest -- 0
0
Im mainly a Trance or prog house guy although when working on a track i try not to make a specific genre. Whats IDM?
  Resident 10.02.2013 8 609
+256

IDM- Industrial Music
☠ᴼᴿᴵᴳᴵᴻᴬᴸ☠
  Resident 2.05.2011 120 2612
+13031
Actually it stands for Intelligent Dance Music
WiKi

gonna check this when I have some free time,
a ton of thanks for the new toy DiSCO
[RETiRED]
  Resident 25.04.2012 74 7705
+14323
copylefter is right though I will say that most canons of the genre really hate the term Intelligent Dance Music for obvious reasons. It's really a great genre, one of my favorites and it's very creative. I was however really surprised the disrespect that old house producers had for it when it first appeared on the scene (saw a documentary). I believe they referred to it as "fluffy shit" whatever the fuck that's supposed to mean. If that means you have to have a brain to appreciate it then yeah I guess it's more deep than the standard boring, tired, cliche and derivative dance fare. Some of Aphex Twin's stuff is IDM in case you know that artist. No worries guys, something tells me that I will get a chance to fill you in on some good stuff very soon. screenshot
“Never underestimate the power of stupid people in large groups.”
  Resident 2.05.2011 120 2612
+13031
Yeah, also to me that acronymous is pretty ridiculous
It is also pointless as idm have so many shades and styles,
it's just a convention, btw most idm producers are much more intelligent
than the guy who named it "intelligent dance"
It'd be much better to call "Idiot Dance Music"
that 99% of mainstream crap out there. imho obviously.
I'm in love with afx twin too!
Check out amon tobin as well to name one, and many more
from ninja tunes records.
btw I'm pretty sure you already know him Cata
For who is interested check this for example:
bed time stories extended live
This is more of a trip hop one, it gives me shiver every time I listen to it:
Easy Muffin
[RETiRED]
  Resident 25.04.2012 74 7705
+14323
Amon Tobin is the shit. IDM is as much an umbrella term as Industrial is with many different kinds of styles contained within but all of them rock. It stimulates parts of my brain that the mundane stuff just passes over.  screenshot
“Never underestimate the power of stupid people in large groups.”
  Resident 25.04.2012 74 7705
+14323
This is ambient/dnb as well as IDM but it's a great track by the legend himself. Tell me this doesn't do wonderful things to your brain: Aphex Twin - Acrid Avid Jam Shred

Honestly a lot of IDM tracks have at least one other genre figure in somehow whether it be Ambient, DnB, Industrial, Trip-Hop, etc. and the differences can be great depending on the genre used. I can choose another IDM track that will be completely different than what we've put up now and you wouldn't even think it was the same genre.
“Never underestimate the power of stupid people in large groups.”
  Resident 2.05.2011 120 2612
+13031
A couple of classics:
Girl/Boy song
Windowlicker
And remember at the time these tracks was made (late 90s)
there wasn't all this goodies we all can use nowadays
like this Scope or Glitch/Stutter Edit & co.

Just lot of painstaking manual cutting/programming
and a nice dose of experimentation on writing and processing.
And some genius too.
[RETiRED]
  Resident 16.09.2010 1416
+144
You must be hearing it in a different language than me.. my Opinion.. Considering some of the awesome tools availed to us these days as musicians I found it repetitive, uncreative, melodically challenged, I made it 5 mins and had to take it out back and put one in its head.

If this is a 'masterpiece of sequencing' I should really start getting back into music more.

Guess I'm just not gettin' it, but there's my thoughts on it.
Yaaaaawn
  Resident 25.04.2012 74 7705
+14323
Dude did you just insult Aphex Twin, that is just sad brother. Wake me up when you can do anything remotely like his work. screenshot

Aphex Twin - Windowlicker

Where's our resident Windowlicker? King Schlong where you at? Let's get this fool.
“Never underestimate the power of stupid people in large groups.”
  Resident 16.09.2010 1416
+144
Not trying to be insulting at all.. just what I heard..

Anyway, I don't do.. anything remotely like his work so that wont be happening, completely different style.. just offering up one of those pesky opinions again.

Perhaps saying what about it.. makes it great.. would help.. but Im just not hearing it. its the same beat droning on for almost 8 mins with some stuff that one might get from this ^ plugin, or chipsounds intermixed and a simple melody taken pretty much from the chords.

Am I missing something?

We can notch it up to different tastes :)

Do you like Debbie Gibson?
Yaaaaawn
  Resident 25.04.2012 74 7705
+14323
There's a lot going on in his tracks, try recreating it. He is a legend in the Ambient, Breakcore, DnB, IDM and about a million other scenes.

It's supposed to be somewhat repetetive, isn't Ambient repetetive too? Try this one on and tell me you can't find the haunting melody of this track. I tried to find the video which is a father surfing with his son, it's amazing but the audio will have to do: Aphex Twin - Iz-Us

And no the only time I listen to Debbie Gibson is when she's screaming in the trunk.  screenshot
“Never underestimate the power of stupid people in large groups.”
  Member 26.05.2012 11 1313
+723
I have to agree... it does nothing for me either. I used to do that kind of shit 30 years ago with an MPC-60, S-1000 HD's and a Mac. But then again... there was no "market" for it and I was too busy producing records for major labels and chasing paychecks in Hollywood/Burbank. To me... it seems VERY dated sounding. Not innovative by any means. I too.... am not intending to be disrespectful, it's just that I've been around a long time and been around the world more times than most ever will (with guitar in hand, getting paid for it)... and well, as stated earlier... "been there, done that". I'm sorry if my opinion offends but I expected more the way you talked it up Catalyst... but I've learned something new today...
  Resident 25.04.2012 74 7705
+14323
It's from the 90s...

Wow I never thought I'd live to see a day when people don't appreciate Aphex Twin. What has this world come to?

Just out of curiosity what do you not consider dated? What is blowing apart your world right now? And if you were doing that shit 30 years ago why are you not Aphex Twin again? You do realize that he was instrumental in the acid house movement right?
“Never underestimate the power of stupid people in large groups.”
  Member 26.05.2012 11 1313
+723
Catalyst... I don't know about you... but I've been surrounded by unimaginable talent all my musical life. Most of which went unknown, unheard AND unseen. There are far more talented people that DON'T get discovered, don't get produced, etc. I know... I produced records for Interscope and Motown and I've seen first hand extremely talented artists who NEVER made it. Frankly, I don't see or hear talent like that anymore. Far too many button pushers that haven't a clue about the language of music. All they know is musical colloquialism. They can "talk street" with their music and it's all beginning to sound the same. My concern is... where are the next Beatles gonna come from because digital noise isn't going to stand the test of time... not like a Beatles song. A Beatle song only needs to be sung or maybe with a guitar, but there's a SONG there. A DJ can't sing his track to save his own life... "just saying'"...

Just so you are aware... I am currently producing music that directly copies these very genres that are popular today (and I enjoy emulating the styles) but I do it because I love music too much to do anything else for a living and it pays...
  Member 26.05.2012 11 1313
+723
I just found this on a post here:
"New technologies, and especially the new digital technologies, mean that anyone can create music without any musical training. How do we know what is good? "
My feelings exactly...
The Digital Musician
  Resident 25.04.2012 74 7705
+14323
Well we wait for snobby critics, musicians and music students to tell us silly. How ever could we figure out what's good without them?

There are these two things that sit on the sides of your melon called your ears. There is no how do we know what's good. Good is a subjective thing so it doesn't really exist. There is only what's "good" for you.
“Never underestimate the power of stupid people in large groups.”
  Resident 25.04.2012 74 7705
+14323
Yeah but when you get down to it that's just snobbery and elitism. Just the choice of words like button pusher tells me a lot about how you think and nothing could be further from the truth. First of all Richard D. James (Aphex Twin) knows music theory well so there goes that point. Or take an IDM artist like Zinovia whose album The Gift of Affliction would probably be one of my 2 picks for best album of 2013. Let's see how "street" she is about her music:
Athens-born Zinovia Arvanitidi has been honing her music-composing skills from very early on by learning piano at the young age of 8. By age 15 she began composing music and over the next several years studied classical music, piano, and music theory earning various diplomas in such fields as harmony, counterpoint, fugue, music technology, sound composition, advanced recording, and mixing techniques.

By 1999 Zinovia began experimenting with electronic sounds, incorporating her influences in classical, electro, ambient, dub, neo-classical, jazz, and film scores into her own sound creations. Over the next several years Zinovia‘s work has been featured in theatrical plays, films, and various other media. In 2010 she began work on her first collaborative album ‘Vanishing Mirror‘ with fellow Athens-based composer Hior Chronik under the moniker Pill-Oh, which was released by the Kitchen. Label in 2012.

Oh darnit did I just destroy your argument in slow motion, sorry about that.  screenshot screenshot

Fuck the Beatles, talk about been there done that. When Bob Moog was approached to make the synthesizer it was by an artist that wanted to make sounds and try things that nobody's ever done before not rehash things that have been done to death. I feel like some people are more than happy to live the same few decades over and over and over and never explore any new sonic territories. You should really read this article and I wholeheartedly agree with every word of it: Failure Is an Option: Why Music Students Are Jealous of Aphex Twin

I actually know a guy that used to live with Jimi Hendrix and worked with all the greats (Lou Reed, KISS, etc.) and was the last person to see him before he died...yeah I might know a thing or two about music. Oh and did I mention that I study it in depth from harmony to counterpoint, etc. Music people are so fucking elitist, it's such a turn-off for me and that's why honestly I stayed away from KVR or Gearslutz. That's exactly the kind of attitude that I was trying to avoid here so I made a place where everyone can belong no matter how much of a musical genius they are. Nobody has a right to say that only people of a certain skill level can make music or that every musician has to learn all this crazy theory even though I've already showed that in all actuality they know theory better than the Beatles did that's for fucking sure. For many it's about catharsis and everyone has a right for that whether they write Beatles stuff or Aphex Twin tunes. And honestly who even cares about timeless music, we're not going to be here long enough to appreciate it anyway.
“Never underestimate the power of stupid people in large groups.”
  Resident 16.09.2010 1416
+144
Thats better for me, and forgive me, I thought the first track was something modern he had done, Knowing its a much older track makes it more impressive from a composition standpoint.. but no less attractive to me as a listener.

Just aint my thing.

I spent the 90's listening to (and singing) Depeche Mode, REM, Nirvana, STP, Pearl Jam, Oasis, Matchbox 20, Alanis, Edie Brickell, Britney and Christina. etc.

80's Nick Kershaw, Howard Jones, Thompson twins, Tears for Fears etc.

Probably FAR more mainstream than ur tastes but for me.. Hugely more musical.... and more importantly.. vocal.
Yaaaaawn
  Resident 25.04.2012 74 7705
+14323
I get that you may not like it but people are saying things like I was doing that 30 years ago and this guy isn't innovative which makes me feel like this:  screenshot I spent the 90s listening to that stuff too (DM, Nirvana, Pearl Jam, REM, STP) except for Britney and Christina who I can't stand. I also simultaneously was exploring other areas. That was such a good time for Industrial.  screenshot
I also don't feel the need to have a voice blaring in my ear on every song. It's nice to enjoy the silence once in a while. I have enough voices in my head already.  screenshot
“Never underestimate the power of stupid people in large groups.”

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