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Software, Windows
Plugin Alliance Harris Doyle Natalus DSCEQ v1.1.1-BUBBiX screenshot
BUBBiX | 21 May 2024 | 73 MB
Fatten audio with magnetic tape-style saturation
The Natalus Dynamic Stereo Console Equalizer (DSCEQ) is more than just a gorgeous-sounding passive equalizer. Its unique “Peak Level” control fattens audio while preserving dynamics. It does this by adding magnetically controlled dynamics processing to your signal—similar to the kinds of gentle compression and saturation you’d find in a well-calibrated tape machine.

Smooth transients like never before
Although it’s designed first and foremost as an EQ, a favorite feature for many users is the Natalus’ incredibly simple, one-knob dynamics section. As you turn up the Peak Level control, a magnetic transformer reduces the intensity of transient peaks in a way that is much smoother, cleaner, and more analog-sounding than any conventional compressor or limiter. Use it to tame “spiky” top end on acoustic guitars, synths, and percussion. Apply the Natalus DSCEQ to kicks and snares for a satisfying tape-like “punch.”

Crank the knobs to apply musical tone shaping
The beauty of passive EQs like the DSCEQ is their ability to help you significantly reshape your sounds without making them feel overly processed or “EQ’d.” Don’t be afraid to turn these knobs further than you think they ought to go. Each knob “goes to 11” for good reason: Dramatic moves can yield musical-sounding results thanks to the Natauls’ wide bandwidths, complimentary EQ curves, and single analog makeup gain stage. Think of it like a Pultec with a potentially cleaner, smoother sound—and with even more flexible and user-friendly control.

A perfect emulation of the analog original, with added features
The engineers at Brainworx painstakingly modeled the original Natalus hardware design by Rod Harris and Govinda Doyle to recreate every nuance of the original’s performance. But they did more than that, adding proprietary plugin-only features like TMT, Auto Listen, Mono Maker, Stereo Width control, M/S processing, and more.

from nfo:
64-bit: (VST2, VST3, AAX)

https://www.plugin-alliance.com/en/products/harris_doyle_natalus_dsceq.html


Install and replace with patched

P.A modified the installer: 2024-05-03




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comments

  Contributor 11.10.2014 8052 15572
+400019
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  Member 12.12.2023 711 4435
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  Resident 21.06.2018 505 16804
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  Member 14.12.2021 1251
+860
the Comment has been Removed
  Member 6.05.2023 89
+29
Cot-Dam!!!

Bubbix & VR is laying down the Law while our 'Other Brothers' take a pause for the cause!

Thank You All for your contributions to the Culture, I remain in awe of your skills.
  Resident 29.11.2020 29 3034
+3088
a simple tips for this plugin to use the clipper. Look at the 6 dots at the meter. That represent every selection on the "Peak Level" knob left to right. Use the INPUT knob to push the level until the peak on the meter hit that red dots as much as you like and use the "Peak Level" knob to set at which dot you want the clipping to start. Or avoid it altogether if you don't want clipping.

That's not the best part of this plugin. This is the first PA plugin that really try to emulate the transformer behavior of the unit. While Headroom control the overall internal operating levels and affect the overall saturation the TX Drive controls how much the transformer is pushed and affect mostly the low end. It has a sweet spot (level dependent) and when you go past that, you'll start losing low end. Most of the time, it's around +9 to 12dBu for the volume im working on. You can either start with playing with it or turn it off and only add it in at the end. The default setting at +18dBu with the LC (Low Cut) ON most of the time wont work if the working volume is high and the plugin sounds like shit on launch. LC (Low Cut) filter is placed at the end of signal chain, turn it off to dial the TX Drive then turn back in if needed at the very end, because if it's ON all the time you wont really hear what TX Drive doing because most of the transformer sound happens down low at the subs range. I suggest just turn OFF the Low Cut because even at 20Hz selection it rolls off starting from 100Hz, it can still be useful if you push the TX Drive and want to clean up some of the low bumps caused by it. Still 100Hz is a bit too high for a low cut. For best result use it in Digital mode for TMT for tighter sound, the Analog mode can cause some blurring because of the clipping mechanism in this plugin.

Overall it's a good bright with shit tons of low end EQ but the default settings is bad. It's my go-to for anything with 808 bass these days.
  Member 27.04.2022 545
+89
I need a preset, to do all these things for me.

Something close,
and then I'll see if fiddling a few knobs seems necessary.
  Member 4.10.2023 9 146
+216
Thanks for the insights! Btw I followed your advice and tried the HOFA transient shaper. Unbelievable. Thank you for that too.
  Resident 29.11.2020 29 3034
+3088
glad you found use in that.
  Resident 27.02.2022 550
+141
if you use Ableton try also Noir Labs Carver transient shaper

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