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Luftrum 31 for Repro-5 and Repro-1 U-He Repro Presets-ARCADiASynapse Audio Motion & Pads Soundset for DUNE 3-ARCADiALuftrum Twilight for Omnisphere 2 Omnisphere Patches-ARCADiADevious Machines Complete Effects Bundle v2025.6.10-TCDMercuriall Ampbox v1.6.3 - V.RAbleton Live 12 Suite 12.2 macOS [HCiSO]The Unfinished Omnisphere Colossus V Omnisphere Patches-ARCADiA

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Опрос

Your Primary Genre
Soundtracks - 812 (5.13%)
5.13%
Pop, R&B, Funk - 1392 (8.8%)
8.8%
Rock, Metal - 2341 (14.8%)
14.8%
Rap, Hip Hop - 3201 (20.23%)
20.23%
Jazz, Classical - 570 (3.6%)
3.6%
World, New Age - 150 (0.95%)
0.95%
Avant-Garde - 167 (1.06%)
1.06%
Folk, Country - 131 (0.83%)
0.83%
Ska - 36 (0.23%)
0.23%
Electronic (general) - 3355 (21.21%)
21.21%
- Ambient, Lounge - 316 (2%)
2%
- Club, Dance - 471 (2.98%)
2.98%
- D&B - 558 (3.53%)
3.53%
- House - 1337 (8.45%)
8.45%
- Trance - 699 (4.42%)
4.42%
- Industrial - 285 (1.8%)
1.8%

15821 votes

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fresh releases

Samples » loops
Big Room Sound Rock Movement WAV-FANTASTiC screenshot
FANTASTiC | 28 November 2022 | 299.38 MB
A collection of rock rubble, dirt and stones falling, dragging, scraping and more. Add layers of debris to earthquakes, avalanches and destruction or bring huge weight to stone doors and boulders. A perfect companion to impacts.
Samples » loops
Universe Loops Reggaeton Fills Vol.1 WAV-FANTASTiC screenshot
FANTASTiC | 28 November 2022 | 22 MB
Reggaeton Fills Vol.1 Creada para acabar con el problema de crear Fills para tus Beats de reggaeton este pack cuenta con 40 Fills modernos y con alta calidad
exportados en 24-bit WAV Quality con tempo auto-ajustable para que no pierdas tu tiempo tratando de acoplar un Fill cualquiera.
Education » Literary
George Herbert and Early Modern Musical Culture screenshot
English | 2023 | ISBN: 1009098063 | 283 Pages | PDF | 4 MB
Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study to situate Herbert's roles as priest, poet and musician in the context of the musico-poetic activities of members of his extended family, from the song culture surrounding William Herbert and Mary Sidney to the philosophy of his eldest brother Edward Herbert of Cherbury. It examines the secular visual music of the Stuart court masque as well as the sacred songs of the church. Arguing that Herbert's reading of Augustine helped to shape his musical thought, it explores the tension between the abstract ideal of music and its practical performance to articulate the distinctive theological insights Herbert derived from the musical culture of his time.

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