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PreSonus Studio One 7 v7.2.0-R2RLuftrum 31 for Repro-5 and Repro-1 U-He Repro Presets-ARCADiASynapse Audio Motion & Pads Soundset for DUNE 3-ARCADiALuftrum Twilight for Omnisphere 2 Omnisphere Patches-ARCADiAPreSonus Studio One Stem Separation v1.1.1-R2RPlugin Alliance Lindell Audio EQ825 1.0.0 macOS [HCiSO]Togu Audio Line Complete Bundle Effects Instruments v2025.6.1-TeamCubeadooby

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Опрос

Your Primary Genre
Soundtracks - 812 (5.14%)
5.14%
Pop, R&B, Funk - 1391 (8.8%)
8.8%
Rock, Metal - 2338 (14.79%)
14.79%
Rap, Hip Hop - 3201 (20.24%)
20.24%
Jazz, Classical - 568 (3.59%)
3.59%
World, New Age - 150 (0.95%)
0.95%
Avant-Garde - 166 (1.05%)
1.05%
Folk, Country - 131 (0.83%)
0.83%
Ska - 36 (0.23%)
0.23%
Electronic (general) - 3355 (21.22%)
21.22%
- Ambient, Lounge - 316 (2%)
2%
- Club, Dance - 471 (2.98%)
2.98%
- D&B - 558 (3.53%)
3.53%
- House - 1337 (8.46%)
8.46%
- Trance - 699 (4.42%)
4.42%
- Industrial - 284 (1.8%)
1.8%

15813 votes

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"FREE" Retune elements and Synthx by Landr - with coupon code Good system on paper but ongoing Cubase performance issue Lemur user library archive? For Sale; Oeksound+Avid+UAD+Output+Valhalla DSP+Dubler+Antares+WA+Heavcyocity+kilohearts !@#$% KVR Audio how do you balance learning vs creating Problem with education text documents on Audioz Is Native Instruments Symphony Series Strings worth buying? Free for Limited Time: KOMPLETE 15 Select (US only, but not really) audio shitposting meme thread

requests

fresh releases

Software » Windows
Audio Modeling SWAM Solo Strings Bundle v3.0.1-V.R screenshot
Team V.R | 17 April 2021 | 57 MB
SWAM Solo Strings is a collection of products that includes SWAM Violin, SWAM Viola, SWAM Cello, and SWAM Double Bass. Developed using the Digital Waveguide Synthesis (Prof. Julius Smith – Stanford University) combined with the Synchronous Waves Acoustic Modeling technology.
Software, Windows
Audio Modeling SWAM Solo Brass Bundle v1.6.2 - V.R screenshot
Team V.R | 17 April 2021 | 32 MB
SWAM Solo Brass is a collection of solo brass instruments conceived and developed by Stefano Lucato and all Audio Modeling team. These instruments are based on Physical Modeling technology and do not make use of any samples.

Reuploaded 🏴‍☠️. PiRAT

Samples » presets, patches, impulses
Roland SDZ002 Filigree Zencore  for Hardware SDZ screenshot
SDZ | 60.48 KB
SDZ002 Filigree Zencore for Hardware Mc707/101 MV-1 Jupiter X(m) and Fantom

ZEN-CORE SOUND PACK FOR DOWN TEMPO AND CINEMATIC STYLES
Dress up your tracks with Filigree—a sound pack for down tempo grooves and drama-filled cinematic styles. Compatible with the ZENOLOGY Roland hardware instruments with the ZEN-Core Synthesis System, this curated collection features 30 expertly crafted tones and one drum kit.
Samples » loops
Soul Surplus Screwed Soul WAV-FANTASTiC screenshot
FANTASTiC | 16 April 2021 | 278 MB
When the Screwed and Chopped sound hit mainstream hip hop last decade, it created instant and memorable classics from Houston artists like DJ Screw, UGK, Paul Wall and Mike Jones. This had a lasting influence that can even be heard in more modern artists like Travis Scott. In our newest sample pack, Screwed Soul, we created soulful loops and pitched them down to a unique warble. The resulting textures are unlike anything else we have ever released. We would describe it as smeary, yet also detailed. Grainy, and three-dimensional. Screwed Soul is a melodic loop pack with over 100 sounds including stems for each 4 bar loop, and one shots for each instrument (guitar, synth, bass, piano, and organ).

Reuploaded. Fantastic

Education » Literary
All You Need to Know About the Music Business: 10th Edition screenshot
English | 2020 | ISBN: 1501122185 | 528 pages | EPUB | 5 MB
For more than twenty-five years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its tenth edition, Donald Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls. For the first time in history, music is no longer monetized by selling something—it’s monetized by how many times listeners stream a song. And that completely changes the ecosystem of the business, as Passman explains in detail.

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