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Опрос

Your Primary Genre
Soundtracks - 809 (5.16%)
5.16%
Pop, R&B, Funk - 1379 (8.79%)
8.79%
Rock, Metal - 2315 (14.75%)
14.75%
Rap, Hip Hop - 3181 (20.27%)
20.27%
Jazz, Classical - 567 (3.61%)
3.61%
World, New Age - 150 (0.96%)
0.96%
Avant-Garde - 166 (1.06%)
1.06%
Folk, Country - 130 (0.83%)
0.83%
Ska - 36 (0.23%)
0.23%
Electronic (general) - 3327 (21.2%)
21.2%
- Ambient, Lounge - 315 (2.01%)
2.01%
- Club, Dance - 466 (2.97%)
2.97%
- D&B - 553 (3.52%)
3.52%
- House - 1325 (8.44%)
8.44%
- Trance - 694 (4.42%)
4.42%
- Industrial - 279 (1.78%)
1.78%

15692 votes

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Maxon CS-550 Stereo Chorus (Plugin?) Best Free Software for Making Music Can someone recommend me any good free plugins for overall audio work, mix/master? audio shitposting meme thread What are you doing if you are just not able to find a fitting instrument for your melody/harmony? 18k to 20k dollar speaker cables vs 150$ cables Roland JP-8000 emu speculation thread What are you listening to now? Best Sample organizer? Kontakt Wallpaper Requests & Comments

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fresh releases

Samples » MIDI, SF, Akai
Musical Inspiration - Epic Essentials 01 screenshot
AudioZ Exclusive | MIDI | 1.7 MB
With Inspirational Boxes, we want to introduce the next generation of MIDI Arrangements. Our first release, Epic Essentials Vol. 01, contains 8-bar orchestral compositions.

Whether you need inspiration or motivation or are trapped in one of those nasty deadlines, Epic Essentials got you covered!
multi-libraries, Kontakt, loops
Zero-G Simulacrum MULTiFORMAT screenshot
KONTAKT | WAV | AIFF - 4,2 GB
A collection of musical sounds and special effects inspired by the imagery of contemporary science fiction and horror
SIMULACRUM is an amazing collection of musical sounds and special effects by composer and sound designer Steven Tunnicliffe. Inspired by the imagery of contemporary science fiction and horror, Simulacrum comprises a diverse assortment of sounds, from long, evolving textures and drones, to aggressive stingers and risers. The hyperreal nature of this material is manifest through allusions to ‘real’ acoustic sources and spaces as well as those entirely fictional.

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