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Devious Machines Complete Effects Bundle v2025.6.10-TCDAbleton Live 12 Suite 12.2 macOS [HCiSO]Futurephonic Rhythmizer Fusion v1.0.2-TCDXLN Audio Addictive Drums 2 Complete Collection 2.7.0 macOS [HCiSO]Teletone Audio Voyager Guitar KONTAKTTogu Audio Line Complete Bundle Effects Instruments Update Only v2025.6.11-TCDSpitfire Audio Ronroco by Gustavo Santaolalla KONTAKT

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Soundtracks - 812 (5.13%)
5.13%
Pop, R&B, Funk - 1392 (8.8%)
8.8%
Rock, Metal - 2341 (14.8%)
14.8%
Rap, Hip Hop - 3201 (20.23%)
20.23%
Jazz, Classical - 570 (3.6%)
3.6%
World, New Age - 150 (0.95%)
0.95%
Avant-Garde - 167 (1.06%)
1.06%
Folk, Country - 131 (0.83%)
0.83%
Ska - 36 (0.23%)
0.23%
Electronic (general) - 3355 (21.2%)
21.2%
- Ambient, Lounge - 316 (2%)
2%
- Club, Dance - 472 (2.98%)
2.98%
- D&B - 558 (3.53%)
3.53%
- House - 1337 (8.45%)
8.45%
- Trance - 699 (4.42%)
4.42%
- Industrial - 285 (1.8%)
1.8%

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Musically, we are in the golden age of ... ? Myloops - ES2 Classic Trance (Logic Pro ES2 presets by Insight) R.I.P. - Wayne Lewis (†68, „Atlantic Starr“-Singer), 5. Juni Kontakt Wallpaper Requests & Comments Wallpaper request: 8Dio Legacy Steinway 1928 Scoring Piano R.I.P. - Douglas McCarthy (†58, „Nitzer Ebb“-Singer), 11. Juni 2025 FS: SSL / SynthMaster / Melodyne / Autotune / S-Gear / AIR / UJAM / BFD / UVI / Klevgrand / PA/ AAS Is it possible in 2025 to sell music without all the middleman gateways, fees and other BS? LiTE Converter - Automated 24/16 bits conversion for Kontakt Libraries Tconvolution / convolution plugin for Mac other than Altiverb?

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Education » Literary
The Oxford Handbook of Dance and the Popular Screen By Melissa Blanco Borelli screenshot
2014 | 496 Pages | ISBN: 0199897824 | PDF | 17 MB
The Oxford Handbook of Dance and the Popular Screen sets the agenda for the study of dance in popular moving images - films, television shows, commercials, music videos, and YouTube - and offers new ways to understand the multi-layered meanings of the dancing body by engaging with methodologies from critical dance studies, performance studies, and film/media analysis. Through thorough engagement with these approaches, the chapters demonstrate how dance on the popular screen might be read and considered through bodies and choreographies in moving media.

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