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Education » Video Tutorials
Skillshare An Introduction to Pre-Production Sound for Film TUTORiAL-FANTASTiC screenshot
FANTASTiC | 02 April 2022 | 1.14 GB
Join Ana Betancourt, the Head of Sound Innovations at Black Goblin for a comprehensive introduction to sound during the pre-production phase of filmmaking. In this class, Ana will cover all crucial aspects of pre-production sound and walk you through the not so known audio facts that every filmmaker wish they knew earlier in their careers.

Learn how to prepare for sound production and post-production from the beginning of your project and practice industry-standard and highly creative methods for envisioning audio in an artistic way, such as a script breakdown and storyboard analysis. At the same time, find out how these methods can help you troubleshoot technical sound problems even before you are on set, saving you time, money, and a lot of hassle.

This class is aimed at filmmakers of all levels who wish to understand how sound works and how they can get the best results every single time and plan to do so.

Class modules:

•The Phases of Filmmaking
•Why is sound pre-production crucial to your film?
•Recruiting a Sound Crew
•Script Breakdown
•Conversations with the Director
•Location & RECCE
•Storyboard Breakdown
•Sound & Wardrobe
•Conversations with the Production Department
•Scheduling Sound
•Conversations with the Photography Department

An Introduction to Pre-production Sound for Film is the first on our series of “Introduction to Sound for Film” classes. The next class is: An Introduction to Production Sound for Film.


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comments

  Resident 14.11.2013 443
+112
It would be great if production companies involved sound into pre-production.
I'm afraid this is going to stay a wet dream forever.
In reality:
Production company hires set mixer and boom operators for the shoot.
Sends a script. or not.
Location sound team shows up - movie is shot.
Movie is edited.
Some dx editor and sounddesigner is hired.
Some post facility for the rerecording mix is booked.
dx editor starts praying the editors won't fuck up the metadata in the wav files.
edit-assistant does export of sound.
dx editor calls, they do it again. and again. and then after two more exports..
dx editor starts is forensic journey into location sound restoration.
(because it was convenient to shoot near the highway)
meanwhile the sounddesigner talks the first time to the director.
starts sounddesigning.
director comes over some time.
sounddesigner does the same again but different.
sounddesigner transfers all to the rerecording mixer.
those two guys start doing the mix, after some days the director shows up.
they do it over again in the same way but different.
sound is finished and printed
all are happy
go back to start.
that's how it is...
  Member 15.03.2020 2 31
+133
quote by PlendixIt would be great if production companies involved sound into pre-production.
I'm afraid this is going to stay a wet dream forever.
In reality:
Production company hires set mixer and boom operators for the shoot.
Sends a script. or not.
Location sound team shows up - movie is shot.
Movie is edited.
Some dx editor and sounddesigner is hired.
Some post facility for the rerecording mix is booked.
dx editor starts praying the editors won't fuck up the metadata in the wav files.
edit-assistant does export of sound.
dx editor calls, they do it again. and again. and then after two more exports..
dx editor starts is forensic journey into location sound restoration.
(because it was convenient to shoot near the highway)
meanwhile the sounddesigner talks the first time to the director.
starts sounddesigning.
director comes over some time.
sounddesigner does the same again but different.
sounddesigner transfers all to the rerecording mixer.
those two guys start doing the mix, after some days the director shows up.
they do it over again in the same way but different.
sound is finished and printed
all are happy
go back to start.
that's how it is...

Agreed except you forgot about all the shouting, arguing, swearing, getting sacked off, re-hired, relationship breakdowns, hatred, sexism, racism & homophobia

What a great industry to work in...
  Resident 10.09.2018 1 638
+122
quote by Sauce Cause
<span class='QuoteBy'>quote by Plendix</span>It would be great if production companies involved sound into pre-production.
I'm afraid this is going to stay a wet dream forever.
In reality:
Production company hires set mixer and boom operators for the shoot.
Sends a script. or not.
Location sound team shows up - movie is shot.
Movie is edited.
Some dx editor and sounddesigner is hired.
Some post facility for the rerecording mix is booked.
dx editor starts praying the editors won't fuck up the metadata in the wav files.
edit-assistant does export of sound.
dx editor calls, they do it again. and again. and then after two more exports..
dx editor starts is forensic journey into location sound restoration.
(because it was convenient to shoot near the highway)
meanwhile the sounddesigner talks the first time to the director.
starts sounddesigning.
director comes over some time.
sounddesigner does the same again but different.
sounddesigner transfers all to the rerecording mixer.
those two guys start doing the mix, after some days the director shows up.
they do it over again in the same way but different.
sound is finished and printed
all are happy
go back to start.
that's how it is...

Agreed except you forgot about all the shouting, arguing, swearing, getting sacked off, re-hired, relationship breakdowns, hatred, sexism, racism & homophobia

What a great industry to work in...


Just try, I said try to enjoy life as it is!
Not easy, but imho the best way to do!
All good!
Peace!

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