Symphony of Secrets: Unveiling the Music Industry

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I have never encountered anything hidden within symphonies, let alone secrets; rather, one of the greatest organizational achievements in the history of music.

When I saw the title "Symphony of Secrets", I instantly anticipated it would expose the darker side that has long plagued this industry, and I even pictured the conductor as Tommy Mottola.

Sonatas and symphonies are essentially the same; the only distinction is that a symphony is a sonata written for an orchestra.

To qualify as either a sonata or a symphony, the composition must feature two contrasting motifs. These motifs often clash rhythmically and melodically, and sometimes their harmonies may even be dissonant. It’s akin to two characters preparing for a conflict; they may only interact at the beginning of the sonata or symphony and come together again only at the end of the opus. This structural approach gives their interactions a sense of meaning, often infused with dramatic tension, much like Beethoven frequently did.

In this context, the title of this book is quite fitting. It encapsulates the idea of two contrasting motifs that struggle to understand each other: the artist and the record company."

This book offers valuable insights and excellent tips for beginners who may feel lost, and I found it informative and engaging, even for me.

However, this is not my opinion:
I often approach overly polished books with a degree of skepticism, especially those that present formulas for success. I have a deeper understanding of the statistics behind the music industry: there are more artists than the market can accommodate, with around 7 million professionals having their work published on major platforms. If television networks dedicated airtime to all these artists, we would have years filled with three-minute segments for each of them, leading to viewer fatigue and confusion in choosing what to watch. Unfortunately, this means most will ultimately fail.

Historically, record companies employed different criteria for selection. They couldn't manage a vast number of artists but instead handpicked the most promising ones. Today, however, the Internet has enabled a surge of new talent, and as times have changed, we now have the opportunity to discover and connect with various artists, including even successful Korean band in our West.

BTW; The imagined portrayal of Plato in this book is utterly ridiculous. It features an array of books, complete with covers, arranged on shelves and tables reminiscent of the 18th century. The most absurd aspect, however, is depicting him writing with a quill pen.
I recommend that the author remove this photo in the next edition.

But since this book contains so many quotes from famous people, here's one of mine:
"As long as frustrated individuals are engaged in any aspect of music, they are less likely to waste time on foolishness or harm others."