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Education » Literary
A Man Made of Music Henry Cowell screenshot
English | ISBN: 0195108957, 0190227923 | 2012 | 624 pages | PDF | 3 MB
Joel Sachs offers the first complete biography of one of the most influential figures in twentieth-century American music. Henry Cowell, a major musical innovator of the first half of the century, left a rich body of compositions spanning a wide range of styles. But as Sachs shows, Cowell's legacy extends far beyond his music. He worked tirelessly to create organizations such as the highly influential New Music Quarterly, New Music Recordings, and the Pan-American Association of Composers, through which great talents like Ruth Crawford Seeger and Charles Ives first became known in the US and abroad. As one of the first Western advocates for World Music, he used lectures, articles, and recordings to bring other musical cultures to myriad listeners and students including John Cage and Lou Harrison, who attributed their life work to Cowell's influence. Finally, Sachs describes the tragedy of Cowell's life―his guilty plea on a morals charge, which even the prosecutor felt was trivial, but brought him a sentence of 15 years in San Quentin, of which he served four.

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When "Henry Cowell" was born in 1897, Brahms enclosed the whole classical figure of audible music, this same year the 'Ragtime' in America had its peak of popularity.

Three years later in 1900 was born 'Aaron Copland', this man without any doubt is one of the most influential figures in twentieth-century American music, imagine a guy who was born in 1900 and died in 1990, ie Copland, attended all the Jazz born from the 'Stride Piano' and 'Charleton' along with the 'Big Bands', watched the beginning of the cinema and all Hollywood musical development, witnessed the birth of rock and the instrument that would replace the violin in the homes of the families of the century XX, the electric guitar. And still had time to contemplate the use of synthesizers in the cinema, such as: 'A Clockwork Orange' (1972), Midnight Express (1978), Charriots of Fire (1981), Blade Runner (1982).

It's painful to know that 'Cowell' is little known all over the world, if you ask an ordinary American, most won't know who he was, but they all know about Gershwin, Copland, Bernstein, Ellington.

The most influential figure in twentieth-century American music is a Jewish Austrian named 'Arnold Schoenberg (1874)', any mind with the least chronological intelligence knows that 'Schoenberg' was 23 years older than 'Cowell', who was in the same place in California and who was influenced directly by 'Schoenberg', who asked 'Cowell'to play his piano music in Europe.

If you consider someone with the highest innovative musical intelligence in the United States, that man is 'Charles Ives'.

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