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Education » Literary
The Masterwork in Music: Volume I - 1925 screenshot
2014 | English | 160 pages | EPUB | 12 MB
The three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr.William Drabkin and his translators offer additional insights.
Volume One includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven, along with studies of solo violin music by Bach. Volume Two contains a major essay on Mozart's Symphony No. 40 in G minor and shorter studies of works by Bach, Haydn, and Reger. Volume Three's contents include Schenker's celebrated analysis of Beethoven's "Eroica" Symphony and other works.

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  Resident 2.11.2014 2498 11778
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  Resident 5.12.2012 816 21274
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  Resident 21.04.2014 1591
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It is good to remember that all this Schenkerian analysis made by the musical analyst 'Heinrich Schenker' who invented his own system of musical analysis, is not so easy, must sit down and study.
He was is brilliant, but ignores certain musical compositions as being smaller, Stravinsky for him is smaller than Mozart, and certain contemporary music are not good.
Schenker duelled in writing with Schoenberg along many published texts in various media, it must be a torment for Schoenberg to be contested by someone a little older. But one day Schenker made an analysis of a Brahms piece in which he ignored the importance of a ostinato repeating note that caused Schoenberg replies in the same magazine, when said: such a thing this ostinato note is nothing, and proves that it was the first longest appoggiatura in the history of music.

The cruel side of this story is that 'Arnold Schoenberg' seems to have waited for the death of 'Heinrich Schenker' to be able to criticize him, which was the great opportunity he had, because there would be no more replications and answers on the part of Schenker, so that he dies, Schoenberg raises questions from the past that comes up, challenging Schenker and prevailing his musical point of view and thoughts.

How good we had two geniuses like these two, with their fight we all learned a lot along history of music, and good that Schoenberg ended up in USA - Los Angeles teaching for native americans the "Traditional Harmony", this way influencing an entire generation that would add the 'blue note' to it to make the great musicals and beautiful orchestrations at the beginning of the cinema.
  Resident 25.07.2014 151
+21
I love Schoenberg as teacher, but I can't stand his music as compositor.
  Resident 21.04.2014 1591
+330
Joseclon, It depends on the time the music was done, since Schoenberg, he has several stages as composer.
But with all that going on during the second war, death in front of him, inhuman hunts just because you think differently, so he felt other things possible in the music.

Listen to this and hear if it is not the same music that American cinema has been using since the 1930s. Chamber Symphony No. 1, Op. 9

Then remove the 1960 full track from Psyco of Hithcock and drop Schoenberg's String Quartet No. 4 when he composed decades before, in 1936, it will not make much difference on the track.
For some the music of the film is fascinating and why not Schoenberg.

Schoenberg start composing tonal music before atonal, he has tons of amazing tonal works with incredible orchestration, like this I movement of his Chamber Symphony No. 2, Orchestrating this is for the few.

  Resident 25.07.2014 151
+21
From his tonal works I know "Transfigured Night" and "Pierrot Lunaire". I will listen again this works and the ones you recommended in your message!! You are right, the orchestrations in Schoenberg deserves more chances and profound analysis! Very thank you!!

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