please read the rules, it will answer all your questions!

  • Get the best VPN on the market with 66% Discount!
Education
Historical Dictionary of Baroque Music by Joseph Peter Swain EPUB [EN] screenshot
2013 | Scarecrow Press | ISBN: 9780810878242| 5.95 MB | 394 Pages | EPUB
Although it lies far back, running roughly from about 1600 to 1750, the Baroque period is far from forgotten and Baroque music is played widely today as well, exercising numerous musicians and attracting rather substantial audiences. It experienced the emergence of a new sort of music, increasingly secular and increasingly good listening, if you will, and also the start of opera. Some of the Baroque composers appear among the most popular of all time, such as Bach, Handel and Vivaldi. So yes, this is a book for researchers, but it is also a good book for anyone who enjoys this music.
Historical Dictionary of Baroque Music certainly fills a significant space in the whole sub-series on music, since it tells us much more not only about the music but also the age that generated it. This is done particularly well in an insightful introduction, with the flow of events traced by the chronology. The dictionary section fills in the missing details with over 400 entries on the most important composers and musicians, some of the musical works themselves, important places and institutions, and a smattering of technical terms. The bibliography directs us to further reading.


download from free file storage
click to show download links
download from any file hoster with just one LinkSnappy account
download from more than 100 file hosters at once with LinkSnappy.

comments

  Member 14.12.2021 1492
+1102
Rapidgator | Filespayouts
  Resident 21.04.2014 1832
+401
This book brings a lot of good information, about this obscure obsidian and most debated period in all of music history: the deeper we delve into it, the more we seem to lose ourselves.

A significant number of works once attributed to J.S. Bach are now known not to be his. One famous example is the Toccata and Fugue in D minor, which contains stylistic elements he never used again and doesn't align with the structure or sophistication of his other fugues. Some scholars believe it may have been a scholastic piece, possibly co-written with the Danish composer Dieterich Buxtehude, as a way he teached J.S.Bach to explore the organ—learning how to register STOPS and use the full pedalboard.

A similar case surrounds the well-known Minuet in G major, which is now correctly attributed to the German composer from Dresden, Christian Petzold.

The same kind of reevaluation is currently happening with some harpsichord pieces previously attributed to the Italian composer Domenico Scarlatti.

Spread the Word