[dead] Recording Studio without walls

Sound recordings are a re-creation of sound locked in time. When we listen to an old Jazz recording we don t just hear Billie Holiday. We hear the microphones that were manufactured that year. We hear the leather on her shoes, and a Gardenia wilting in the humidity of a Harlem Jazz club in 1945. No signal processor could ever replace this. We really do hear the Gardenia. Maybe it s because the petal hits an earring or sweeps across the microphone. In between saxophone notes leaks the sound of a brush moving across the head of a snare drum, or a gust of air rushing through the opening club door. It s barely audible. It s a sound that can not be synthesized nor copied in any modern studio,with any amount of time or recording equipment or with any attention to detail. When we record, yes, we artificially create and construct a sonic image. But unavoidably, inadvertently, we capture reality. Always. No matter how much we try to suppress it.

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