Whitelabel Monolow VST v1.0-peace-out

VST | 10 April 2010 | 6.20 MB
Regain a bit of sanity in your bottom: In general, lower frequencies are less directional than higher frequencies - so in a stereo mix, it makes little sense for the low-mid and low portions to be mixed in stereo as this can contribute to a lack of focus or clarity in the bottom-end.

Don't remix your entire track, simply run it through monoLOW and pick a frequency below which everything is mono - instantly tighten your bottom-end, gain a bit of focus and give the stereo parts of the rest of the mix a bit of space to breathe. Take the low-band from a summed stereo signal, or from either left or right channels - an audition switch lets you know what is actually going-on down there, and an additional gain control for the low-band lets you cut and boost as desired.