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Belles Ondes EQ1979 v1.0 x64 VST3 AU WiN MAC [FREE] screenshot
29/07/2023 | x64 VST3 AU WiN MAC | 17 MB
EQ1979 is a stereo VST analog console strip emulation inspired by a famous British console module with red gain knob.

EQ1979 has three stages:

Input Driving stage, which emulates a transformer based analog input amplifier with smooth saturation.
Filtering stage with low shelf, mid band, and high shelf inductor-based filter emulation
A Third order highpass filter emulation

User Guide
Input driving stage
Controls:

Drive : [0.1 to 100](%) input driving factor. Use it to add saturation ranging from smooth harmonics to harsh console driving.
Trim : [-24 to 24](dB) drive output gain trimming in 1dB steps. Use it to trim input stage signal level before hitting filter stage. Designed as a simple multiplicative gain.
OS (oversampling) : Applies oversampling to saturation stage to avoid high frequency harshness.

Input stage was modeled to mimic the behavior of a dual BA284 input module with smooth frequency bumps from transformer stage. Saturation has smooth 3rd ans 5th harmonics content, with additional harmonic content above 2/3 of saturation control dialed in. It has an internal 1:2 embedded gain compensation when set at 10. Provides better sound quality at the expense of performance. “x” ratio is calculated with regards to a 48kish sampling frequency (e.g. applying 2x Oversampling when using 96kHz project frequency has no impact).

EQ and Phase
Controls:

EQ: [On,Off] Enables or disables the EQ stage,
Phase: [On, Off] Inverts signal phase,
When enabled, EQ slightly changes frequency response, just like in original channel strips when BAxxx modules from filter are enabled.

High Shelf Filter

Controls:
Level: [-16:0:+16](dB) high shelf filter gain.


High shelf filter is a 9.3kHz centered high shelf filter. It mimics the frequency response of the original analog module in that it is broad, with that typical 440Hz drop coupled to filter gain as in original inductive filter design.

This gives the unit its typical “air” sound which sounds great with a bit of input saturation.

Medium Band Shelf

Controls:

Level : [-18:0:+18](dB) gain at selected frequency,
Frequency : [Off, 360<>7200 Hz] use it to select the bell curve frequency,


Mid band provides this typical large bell curve from the original console strip, while emulating its electrical influence on input signal when enabled.

Six band are available as per design : 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz.

Low Shelf

Controls:

Level : [-16:0:+16](dB) low shelf filter gain.
Frequency : [Off, 35<>220](Hz) use it to select the bell curve frequency,


Low shelf is a multi frequency shelving filter emulating analog inductive shelving circuitry. Hence, it has this typical smooth bump above the selected frequency. ~

Selected frequency ranges from 35, 60, 110 and 220Hz. Each setting has different “null” frequency response, because of inner eletrical design emulation of the original circuitry.

Highpass filter

Controls :

Frequency: [50<>300](Hz) frequency control,

Highpass filter is a 3rd order capacitive filter with selectable frequency designed as per original console strip frequency response.

Technology
Input saturation uses a subtle combination of arctangent and polynomial math to first boost 3rd and 5th harmonics while increasingly switching to a full spectrum asymetrical saturation. Loudness partial compensation is linear.

Filtering uses a combination of more than 50 butterworth maximally flat one pole filters to frequency match the existing console strip behavior. A fine-tuned parametric model dynamically parameters those filters upon console strip inputs.

Modeling accurately the lectronics implied adding several asymetrical bias, noise sources and non linearities which tend to reproduce the unique analog console sound.

Part of modeling that real console behavior, even filter idle states trigger frequency response variations, as shown here

Installation
Windows : Extract archive to your VST3 folder (default c:\program files\common files\VST3)
Mac : Copy the entire MySynth.component folder to your Mac folder /Library/Audio/Plug-Ins/Components/



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comments

  Contributor 18.05.2021 1375 730
+31469
Rapidgator | Katfile
  Member 21.06.2018 16 9154
+1219
  Resident 4.06.2022 9 750
+1254
the Comment has been Removed
a wise man once said ... "Use PM for your love effusions, or rent a room. this is not fakebook here." - Olymoon (4.2.24 R.I.P.)
  Resident 24.07.2019 15 853
+796
It's originally a JSFX for Reaper, and a really good one at that! He wrote in the Reaper forums that he has basically tried to recreate the frequency response of the UAD 1073, and it really shows when you compare them in PluginDoctor.
  Resident 4.06.2022 9 750
+1254
interesting information.
a wise man once said ... "Use PM for your love effusions, or rent a room. this is not fakebook here." - Olymoon (4.2.24 R.I.P.)
  Resident 25.12.2017 6 1900
+704
Good Lookin out, LDVN.
"Rap is a gimmick, but I'm for the Hip Hop, The Culture." ~ Method Man ~
  Member 4.07.2023 30
+12
the Comment has been Removed
  Member 21.10.2021 27
+5
This is really good
  Resident 10.07.2019 308
+110
It's updated to v1.01 at dev's site.
Changelog:
1.01 Fixed pairing stereo outputs
  Member 29.11.2020 29 2571
+2646
ah, thanks, was weird because it only output one channel (left) for a mono track in Bitwig, the update fixed it.
It makes no sense to say you’re not good at it. It’s like saying, “I’m not good at being a monk.” You are either living as a monk or you’re not.
  Member 28.11.2021 44
+14
The low and mid knobs won't turn on for me. They move but underneath both knobs it says off inside Studio One V6.2 and inside Plugin Doctor. It's a sweet sounding plugin btw, the drive introduces smooth sweet sounding saturation and the highs are silky smooth...
  Member 28.11.2021 44
+14
Figured it out, you have to left click on where it says off, hold and drag up to change the frequency values. It's a little tedious and also the movement of the high-pass knob but other than that its a really smooth, sweet, fat sounding plugin and will definitely live on my vocal tracking and mixing chains...
  Member 1.05.2019 5 111
+495
Looks very interesting, thanks for the share!
  Resident 14.09.2013 10 546
+362
Prefer Sonimus Burnley 73
really not on par with NEVE sound

nice try lolz
  Member 23.02.2016 1 208
+52
Where do you see the main shortcomings?
  Member 21.05.2019 21
+8
The filters were matched to UAD 1073 and the saturation was modeled after the RMAA measurements of my hardware AMS 1084's that I gave to Belles Ondes. It was line input btw...
  Member 29.11.2020 29 2571
+2646
thanks to you. I think it sounds pretty good.
It makes no sense to say you’re not good at it. It’s like saying, “I’m not good at being a monk.” You are either living as a monk or you’re not.
  Resident 25.12.2017 6 1900
+704
Some of the final result here seems more form over function, particularly the frequency area, and it could use a double-click/ctrl-click to reset the knobs, but overall I like what it's doing as per your contribution. I find it absurd how many people who've never used an emulation's hardware counterpart (or in some cases, any hardware at all,) are basing what the software sounds like *on other software*. One thing that comes from being around hardware of any sort is knowing that no two pieces are going to sound exactly the same.
"Rap is a gimmick, but I'm for the Hip Hop, The Culture." ~ Method Man ~

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