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Windows, Mac OSX
Nando Scheffer 2tune Your Drums Max for live device (Win + Mac) screenshot
AMXD | 9.74 KB
Compatibility: Ableton Live 10/11 Suite or Ableton Live 10/11 Standard with Max for Live installed
OS: Mac & WIndows
Min. Requirements: MaxforLive 8.5 is essential




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comments

  Resident 16.08.2010 32 953
+1998
Thank you !

I got all Nando Scheffer devices and they're really useful and creative. They don't cost much so support him if you have some spare change
  Member 25.04.2020 37 614
+2594
quote by phenomboyThank you !

I got all Nando Scheffer devices and they're really useful and creative. They don't cost much so support him if you have some spare change


If you have them all i would bew grateful if you'd share them here.
If you download stuff you should also share something.
You get some, you give some ;)
  Resident 9.08.2010 4 138
+61
It's a fair thing but honestly devices just released and who cost a penny shouldn't be supplied in the first 6 month- 1 year.
I think it's a huge dick move to do that.
I buy all of the m4l stuff usually or try it and buy because I have the money but many people won't pay small developers like that even if they have enough money. So waiting a year is a good idea
  Member 25.04.2020 37 614
+2594
quote by telkmxIt's a fair thing but honestly devices just released and who cost a penny shouldn't be supplied in the first 6 month- 1 year.
I think it's a huge dick move to do that.
I buy all of the m4l stuff usually or try it and buy because I have the money but many people won't pay small developers like that even if they have enough money. So waiting a year is a good idea


You claim "have the money" but you have 2 posts only and both of them are requests while you "have the money" https://audioz.download/user/telkmx/news/

So you want people to "waiting a year" for trying stuff?
Or your verdict is after "waiting a year" it is legit to use other people's stuff unpaid?

Some people here... really...
  Resident 9.08.2010 4 138
+61
No I come here to get the stuff and use it before I save and see how often I'll use them in projects. Things who have 3 months free of use without stop so w timebomb I usually don't download them cracked but use the demo. But stuff who keep shutting down or putting noise I can't use them in my projects and really test how I'll have to keep them. I want to see how things fit my workflow so
Id rather be able to use them a few months and see how important they are and useful for my use case. Id rather not buy stuff and not use it so that's my use.

but thank you bc most people won't give a dollar to someone who made a device for tens of hours if they have it for free because it's even worst never ending consumption since it's cheap
  Resident 16.08.2010 32 953
+1998
quote by RavinatLabIf you download stuff you should also share something.
You get some, you give some ;)


I tend to not share small/individual developers stuff until a certain time to let them get paid. If you check my posts I share stuff here and anonymously too
  Member 25.04.2020 37 614
+2594
quote by phenomboy
quote by RavinatLabIf you download stuff you should also share something.
You get some, you give some ;)


I tend to not share small/individual developers stuff until a certain time to let them get paid. If you check my posts I share stuff here and anonymously too


Not really impressive i have to say....
90% of your posts are requests, even from "small developers" Max for Live Manifest Audio https://audioz.download/user/phenomboy/news/
  Moderator 21.01.2012 2361 16057
+161277
Guys, if you want to debate about release theory etc ... please feel free to create a thread at Audiosex. But here please stick to the material being shared.
  Member 21.05.2018 10 331
+311
I immediately introduced it into Ableton Live and tested it, but unfortunately, the product did not allow me to manage the tuning of the drums perfectly.

Many people misunderstand, and even top professional producers struggle to make beats without knowing the correct concept, sometimes getting it wrong all the way through, leaving many songs with problems in the low frequencies.

Unlike other instruments, the tuning of percussion sounds such as drums and percussion is different from other instruments, in most cases, the location of the loudest peak when viewed on an analyzer is not the correct pitch for that sample. The correct pitch is certainly there when viewed with an analyzer, but it is often buried in the surroundings.

For example, if we break down a live drum snare into its individual elements, there are two types of closed mics, top and bottom, and several types of elements such as overhead and room. If you listen to the top of the close alone, of course the correct pitch is very easy to determine, but when mixed with other elements, peaks of various frequencies are mixed together, making it difficult to mechanically extract the correct pitch with an analyzer or other means.

Tests have shown that this product also cannot sense the correct pitch that should be extracted.

The most correct way to tune a drum should start with knowing what the correct pitch is and what type of (non-pitch related) peaks exist around it. Then, with an ear trained by ear training and an oscillator or synth that produces a simple sine wave, the correct pitch is extracted. In this way, correctly placed drums can be simple but very convincing and pleasant to listen to all the time.
  Member 20.07.2019 265 2287
+2571
Totally agree. Which makes me think tuning drums is still best done by ears. Never found a suitable, 'perfect' tool otherwise. The more you listen carefully, the more you get good at this.
  Member 25.04.2020 37 614
+2594
quote by ZZAudioI immediately introduced it into Ableton Live and tested it, but unfortunately, the product did not allow me to manage the tuning of the drums perfectly.

Many people misunderstand, and even top professional producers struggle to make beats without knowing the correct concept, sometimes getting it wrong all the way through, leaving many songs with problems in the low frequencies.

Unlike other instruments, the tuning of percussion sounds such as drums and percussion is different from other instruments, in most cases, the location of the loudest peak when viewed on an analyzer is not the correct pitch for that sample. The correct pitch is certainly there when viewed with an analyzer, but it is often buried in the surroundings.

For example, if we break down a live drum snare into its individual elements, there are two types of closed mics, top and bottom, and several types of elements such as overhead and room. If you listen to the top of the close alone, of course the correct pitch is very easy to determine, but when mixed with other elements, peaks of various frequencies are mixed together, making it difficult to mechanically extract the correct pitch with an analyzer or other means.

Tests have shown that this product also cannot sense the correct pitch that should be extracted.

The most correct way to tune a drum should start with knowing what the correct pitch is and what type of (non-pitch related) peaks exist around it. Then, with an ear trained by ear training and an oscillator or synth that produces a simple sine wave, the correct pitch is extracted. In this way, correctly placed drums can be simple but very convincing and pleasant to listen to all the time.


Check this video https://www.youtube.com/watch?v=zWnYW3F3u4A
It's a video of mix engineer (and techno producer) Hannes Bieger showing he is explaining why tuning drums is important and how to do it.
He uses NI Battery 3.
  Member 15.12.2022 23 69
+1942
quote by ZZAudioI immediately introduced it into Ableton Live and tested it, but unfortunately, the product did not allow me to manage the tuning of the drums perfectly.

Many people misunderstand, and even top professional producers struggle to make beats without knowing the correct concept, sometimes getting it wrong all the way through, leaving many songs with problems in the low frequencies.

Unlike other instruments, the tuning of percussion sounds such as drums and percussion is different from other instruments, in most cases, the location of the loudest peak when viewed on an analyzer is not the correct pitch for that sample. The correct pitch is certainly there when viewed with an analyzer, but it is often buried in the surroundings.

For example, if we break down a live drum snare into its individual elements, there are two types of closed mics, top and bottom, and several types of elements such as overhead and room. If you listen to the top of the close alone, of course the correct pitch is very easy to determine, but when mixed with other elements, peaks of various frequencies are mixed together, making it difficult to mechanically extract the correct pitch with an analyzer or other means.

Tests have shown that this product also cannot sense the correct pitch that should be extracted.

The most correct way to tune a drum should start with knowing what the correct pitch is and what type of (non-pitch related) peaks exist around it. Then, with an ear trained by ear training and an oscillator or synth that produces a simple sine wave, the correct pitch is extracted. In this way, correctly placed drums can be simple but very convincing and pleasant to listen to all the time.


yes it's not the best out there, I've also tested it against a sine wave notes and sometimes it's tuning is off by a semitone. a much better option for tuning drums is Knocktonal by Dj swivel because you can see the fundamental in the spectrum analizer and tune the drum very accurately
  Member 21.05.2018 10 331
+311
I have also tested Dj Swivel's Knocktonal, which in the end only mechanically detects the "acoustical" frequency elements.

A "musical" pitch of drums and percussions is often different from the peaks that are noticeable in the analyzer. The exception is a simple 808 kick, which has no pitch-down modulation, but many other samples do not have a noticeable "musical" pitch as simple as that of the 808.

Because the pitch of drums and percussion is not a part of the attack, which has a big energy, but in the sustain. The energy in the attack is very huge, but it is the noise elements of the "acoustical" peaks, but the "musical" pitch is buried.

The above explanation can be understood by analyzing a snare drum sample without snappy. And you will also understand that with snappy snare drums, the "musical" pitch is not clearly displayed in the analyzer (in fact, it is displayed, but it is buried by the surrounding higher energy "acoustical" peaks).

I am by no means saying that Knocktonal is a useless tool, but if you guys don't understand the difference between "acoustical" elements and the "musical" pitch, (in my experience) it won't be of much use to you.
  Member 15.12.2022 23 69
+1942
quote by ZZAudioI have also tested Dj Swivel's Knocktonal, which in the end only mechanically detects the "acoustical" frequency elements.

A "musical" pitch of drums and percussions is often different from the peaks that are noticeable in the analyzer. The exception is a simple 808 kick, which has no pitch-down modulation, but many other samples do not have a noticeable "musical" pitch as simple as that of the 808.

Because the pitch of drums and percussion is not a part of the attack, which has a big energy, but in the sustain. The energy in the attack is very huge, but it is the noise elements of the "acoustical" peaks, but the "musical" pitch is buried.

The above explanation can be understood by analyzing a snare drum sample without snappy. And you will also understand that with snappy snare drums, the "musical" pitch is not clearly displayed in the analyzer (in fact, it is displayed, but it is buried by the surrounding higher energy "acoustical" peaks).

I am by no means saying that Knocktonal is a useless tool, but if you guys don't understand the difference between "acoustical" elements and the "musical" pitch, (in my experience) it won't be of much use to you.


true. some percussions doesnt have that musical pitch you mentioned and are harder to tune then kicks.
Knocktonal has a nice feature - you can lower the attack of the sample and raise other parts of it. Link

another method I use sometimes is tuning by ear
I pitch up the sample by 12 or 24 semitones, sometimes the pitch is audible enought to detect

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