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Windows, Mac OSX
Parallax-Audio Virtual Sound Stage Pro v2.0.1 Incl Keygen (WIN OSX)-R2R screenshot
Team R2R | 06 Nov 2020 | WiN: 21.8MB | OSX: 116.6MB
VirtualSoundStage (VSS) is a unique audio plug-in, which gives you the ability to position your instruments on a virtual stage with just a few simple clicks.

Every point of a room sounds different. A fact traditional reverbs don't take into account. By recreating a realistic acoustic environment VirtualSoundStage will bring a sense of space to your mixes.

What's new?:

New Sound: Every algorithm has been redesigned from the ground up to create the richest and most realistic early reflections, while keeping the direct signal crisp and clean.
New User Interface: The new user interface gives you control over all your instruments from a single screen for a faster and more intuitive workflow.
New Rooms: Classic Concert Hall, Film Scoring Stage, Recording Studio or a Cathedral. Virtual SoundStage has the right space for every situation.
New Microphone Setups: Choose your microphones from a large collection of popular microphone setups and position them freely on the stage.
New Presets: More than 150 presets and counting for many popular sample libraries will get you started in no time.
New Controls: The new powerful controls including Width, Directivity and AirAbsorption make VirtualSoundStage even more flexible.

Enjoy with this true RSA512 keygen!




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comments

  Member 11.01.2016 365
+62
This looks intriguing

I have briefly used a surround programme which allowed taking a classical multitrack and placing it in a virtual 3d space but this seems to do the same thing in stereo

I'll defiantly give it a go

Thanks

  Member 27.09.2019 99
+24
It is in fact a unique take on 3D space positioning plugin. Definitely need to try this out.
Think of hammer as compression and chisel as eq. You can make great structures with only two.
  Resident 16.11.2013 11 841
+824
yup.. it works awesome with orchestra.... definitely it makes beautiful space of instruments.... love it.
  Resident 26.02.2013 22 2287
+3114
quote by ProJayIt is in fact a unique take on 3D space positioning plugin. Definitely need to try this out.

I suppose this is a typo : it's not 3D, it's 2D, there is no vertical positioning. Also in that 2 dimensional plane, it's not surround.

In fact there is nothing " unique " here. Notably : Altiverb does " Stage Positioning " excellently well for more than 15 years. As written by @tape below, Logic Pro does also " Binaural Pan ". AFAIC, 2CAudio kills it with their PBJ Pack : " Spatial Mixing Environment ".

Users should check their mono integrity with such tools, more than once.

... and finally... there is IRCAM's / Flux's Spat Revolution, which possibilities are just insane :

Introduction to Spat Revolution – Online Training Session #2

Flux Spat Revolution v1.1.0. ( v1.1.0.48000 ) by R2R ( ) is here on AZ .
' It's because the speed of light is greater than that of sound that so many people appear brilliant until they open their mouth ... '
  Resident 17.02.2014 9 847
+558
the Comment has been Removed
Anomaly is Something Which Deviates From the Standard or Expected;
It's an Irregularity Which May be Difficult to Explain Using Existing Rules or Theory
  Supplier 14.02.2014 138
+65
The best binaural has logic pro X, I don't understand why the other DAWs don't include it as standard ... Thanks!
  Resident 11.02.2014 1 99
+115
How so Mr. Tape?
  Member 23.11.2016 3 52
+101
How does it compare to v.1? I've tried it some years ago and wasn't really impressed, and I don't see much of a point of using it, especially with orchestra.

Pretty much all of the orchestral libraries come already pre panned, all instruments sit where they usually do. Also, pretty much all of these libraries come with multiple mic positions so if you need some particular instrument to sound more distant, you just can turn down the volume on the close mic, and some libraries even allow panning of every individual mic. This software kinda seems pointless to me because, in my experience, it just creates more busy work as you now have to route all the instruments and place them in the virtual stage for not much of a benefit.
  Resident 31.01.2017 598
+179
Your argument is weak.
Just because there exist libraries with multiple mic positions, you see this plugin pointless. Right. No, it isn't. Not everyone wants ready food.
What if someone wants a different positioning? Or what if he/she isn't satisfied with the fake positioning of some overly hyped recycled libraries?

And yes, you can even utilize previously panned sound (there is a feature in VSS2 to "reset"/recalibrate the sound to the centre) but it's obviously not ideal, as the main point of this plugin is to emulate the early reflection of the instruments' sound.

Yes, you can use Altiverb for positioning, if you use it individually for each instrument. For this, you need a really powerful workstation though.
But here in VSS you can position the instruments in a much more intuitive way, together, in one single window. There's a learning curve, I admit. But it's a very handy tool. Ideally for dry and/or centered sounds. You choose the stage, the microphone(s), the positioning and put your desired reverb after it (turning early reflections off on it).
This way you don't have to load the reverb for each instrument.

If you prefer other solutions, fine, but there will always be people with different mind and this plugin can satisfy them.
  Member 23.11.2016 3 52
+101
I'm sorry if I wasn't clear enough. My point is that for me personally this software is very inefficient in its workflow. If I just need simple repositioning of 1 or 2 instruments, it is faster to just use pan tool in the library itself or in the DAW. The end result of going through all the hassle and setting up, routing all instruments is just not going to be good enough to be worth the time spent doing so, the technology for good virtual soundspaces is still not here yet.

Yes, I definitely understand that for some people it would be exactly what they need. If you want to reposition the whole orchestra in a very unorthodox seating, or if you want to plan your own recording session and experiment with the seating and mic placements, then it's really great. I also get that it's the best when you're working with the dry signal. I just have never used only dry close mics in the orchestral setting, with every recording session and with every sample library there's always some kind of room mic and I would always rather use it than any artificial reverb.

Or what if he/she isn't satisfied with the fake positioning of some overly hyped recycled libraries?

Well, my advice to them would be to find the sample library they're going to like, one or multiple, that will achieve what they want straight out of the box with as few modifications as possible. If you can't find any, make your own or just record the real orchestra. Essentially, if you have a horse but want a zebra, don't paint stripes on your horse, just get the bloody zebra.
This software is mainly marketed towards people working with the orchestra, people writing for movies, TV or games and the most important thing is this field is efficiency - getting good results as fast as possible. Your goal is to impress your client with great result, not other audio engineers with how you achieved that result. To me, this software does nothing to make me more efficient. It's surprisingly quite niche for an already niche target audience and I don't have the use for it.

Sorry if it came of wrong like I'm trying to impose my opinion on people or something, I didn't mean that. I just wanted to express my opinions and why I don't find this software useful. I totally get the points you made and thank you for the great conversation.
You have a nice day, mate.
  Resident 31.01.2017 598
+179
Ok, I understood now. I agree that it's niche and it's not something you want to rebuild from scratch in each project.
It can be useful for different templates. You would save the instance with it in VEP (or in your favorite DAW).
For those who are sold by Spitfire libraries and the likes, this is not worth the effort, they can't even realize how fake that samples sound.
OT is much better but it can also differ from what you desire.
You can pan the instruments, as everyone has been doing for ages but it won't redefine the distance and the early reflection's direction, only if you reconfigure the reverb, too.

I liked your analogy :)
Essentially, if you have a horse but want a zebra, don't paint stripes on your horse, just get the bloody zebra.
  Member 31.07.2014 110
+7
the Comment has been Removed
  Resident 29.09.2012 5 1204
+389
So this plugin wont work well with pre space positioned instrument libraries? It can ruin their default mix.
Dream Trance
  Resident 31.01.2017 598
+179
it's never ideal but it can be done, the plugin can recalibrate the volume of the two channels to equal – to start with – in an automated way or you can customize it manually as you wish.
  Member 28.01.2015 150
+46
Hi
Download The Preset Library..
https://www.parallax-audio.com/downloads/VSS-PresetLibrary.zip

Thanks so much
  Resident 25.11.2015 1231
+472
this plugin is super cool! but it takes a lot of tweaking to get realistic results and you need really dry orch libs to get the most out of it imo. for most of us making music in an industry that ultimately demands results and iterations on ideas super quickly, it just easier to buy libs that sound good and work well out of the box (orchestral tools) so we can get up and running w a template in little time. but for those of us who have the time to fiddle (or can pay an assistant to build and tweak our template for us) this is a very useful tool since you only you need this reverb (and maybe just one other verb) in a session. but still, one needs an amazing computer with a ton of ram to really get the most out of orchestral tools. but with dry libs and just something like spat or vss2 to handle all the reverb, one could probably build a powerful template with not the most amazing computer, since vss2 is light on cpu and dry orch libs don't need to load into ram(or play a lot of extra polyphona) a ton of redundant mic positions. just my two pence worth
make music, not walls.
  Member 29.06.2016 3 258
+147
Is it CPU friendly?
LOUDAAAAAAAAAAAAA!!!!!
  Resident 31.01.2017 598
+179
It's just my guess but comparing it with multiple instances of reverb plugins, it should be much lighter on CPU usage as it processes only the early reflection and not the tails that are usually the CPU hog when it's many seconds long.
  Member 23.11.2016 2 115
+108
Wow this looks very interesting! I've often thought this about reverb. Will have to try. Thanks R2R and DECiBELLE!
  Member 6.05.2019 100
+33
Tried it out.. Pretty damn cool.
  Resident 11.11.2014 323
+157
How would you describe the learning curve for a average bedroom producer?
Think of using non periodic rhythm patterns in your music
  Member 6.05.2019 100
+33
Super easy!
  Resident 17.02.2014 9 847
+558
Also try eaReverb 2 by eaReckon. Using it on an orchestra and making a comparison I got better results than VSS.
Also eaReverb 2 is here :
https://audioz.download/software/win/123133-download_eareckon-eareverb-2-v201-incl-keygen-win-and-osx.html
Anomaly is Something Which Deviates From the Standard or Expected;
It's an Irregularity Which May be Difficult to Explain Using Existing Rules or Theory
  Member 1.08.2020 1 31
+15
Probably my favourite keygen music thus far

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