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Audio Modelling SWAM Engine SWAM Double Reeds v2.8.1 CE-V.R screenshot
TEAM V.R | 09 Aug 2018 | 188.88 MB
This collection is comprised of Four instruments, the Oboe, the English Horn, the Bassoon and the Contrabassoon.

Four digitally handcrafted acoustic instruments – the Oboe, the English Horn, the Bassoon and the Contrabassoon – developed by Audio Modeling using the SWAM Technology: the most realistic, real-time controllable, expressive virtual double reeds on the market.

No need for Giga-sized pre-recorded libraries: the typical limitations of traditional samplers simply do not exist with the SWAM Technology. SWAM Double Reeds is not a mere recording of notes via sample libraries, but a set of real virtual instruments based on their traditional counterparts, and it allows you to fully control the expression of a virtual acoustic instrument via MIDI controller. The smallest footprint guarantees the same natural reactions real instruments would have and the perfect organic consistency resulting from the endless expressive parameters that are unique to every live performance.

SWAM Double Reeds can be used for Classical, Pop, and any other musical style. Whereas a sample library repeats a pre-recorded sound, SWAM instruments play for real. In addition, since they are based on a combination of innovative performance techniques and concepts of physical and behavioral modeling, SWAM Double Reedsdon’t include any samples and are extremely lightweight, weighing only a few Megabytes.

Whether you are a producer, composer or live performer, start playing SWAM Double Reeds by layering it in a section with no artifacts and simply selecting different timbres for each instance.

Supported formats and OS:
Audio Units, VST, AAX – 64bit only
Windows XP, Vista, Windows 7, Windows 8, Windows 10

All the following parameters are controllable in real-time (through MIDI) or by a Digital Audio Workstation:
Expression (Dynamic)
Note transitions (Staccato / Legato / Portamento) with no KeySwitches
Legato Mode (Glissando vs Expressive)
Vibrato Depth
Vibrato Rate
Portamento Time
Harmonic Structure
Sub-Harmonics
Growl
Flutter Tongue
Formant
Breath Noise
Key Noise
Dynamic Pitch
OverBlow
Microtuning
Main Volume
Pan Pot
Reverb Mix

Instrument range:
Oboe: Chromatic from Ab2 – Gb5 in C Concert.
English Horn: Chromatic from D2 – F5 in C Concert.
Bassoon: Chromatic from A0 – Gb4 in C concert (by default transposed one octave lower).
Contrabassoon: Chromatic from A-1 – G4 in C concert (by default transposed one octave lower).

*Middle C = C3

This release has been exclusively provided to AudioZ by EmAD (@emadlll) from Kerman/Iran. Please show him some love



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comments

  Resident 1.07.2015 4 649
+647
*sigh* Amazing! Xmas is really early this year! Great to check these out, love some horn. Today my words are somewhere between Deadpool & The Handmaid's Tale!*

Thx a lot EmAD & Team V.R!

(*Blessed day! Shitballs etcs!)
Thx to anybody posting Spitfire / OTB libs!
  Resident 18.07.2013 15 373
+564
Double reeds not as good as flutes or sax - not everything can be done using just one technique. But I cannot blame the producers for giving it a try. But like I said - great achievement it is with flutes and old kontakt brass!
It is not what you've got; it's how you use it.
  Resident 21.09.2011 15 731
+1111
What makes these not as good as flutes or sax? I still stand by that statement
Thank you for helping us help you help us all.
  Member 6.09.2016 136
+7
the Comment has been Removed
  guest -- 0
0
Do you ever read the big red message below links? 3/4 of your comments
are along these lines. Use the links provided and be happy.
  Moderator 21.01.2012 2373 16092
+159190
maspo30
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