Native Instruments Razor 1.7.0 Update OSX-0RGan1c

Apart from outstanding sound quality, the level of control in additive synthesis provides a host of new possibilities for shaping sound. Here are some examples of what’s possible in RAZOR:

Creative filters – variable slopes and boosts
Dissonance – from modulating single partials to compressing the whole sound
Reverb per-partial – the reverb tail follows pitch
Partial panning – pan parts of the frequency spectrum separately
Complex formants - as filters and oscillators
Echo steps – create evolving echoes
Vocoder – an exceptional 34-band vocoder

DESIGNED FOR MUSICIANS
RAZOR’s interface draws on familiar concepts from ‘traditional’ synthesizers. You'll recognize the oscillators, filter section, and many other parameters, but the options are new – the formant or the waterbed settings, for example. This combination of new and familiar makes creating sounds surprisingly simple.

RAZOR has been designed for musicians, not scientists. The entire interface is compact and focused, with a straightforward internal modulation framework and a large graphical display. When you’re creating sounds, this display provides helpful visual feedback and some beautiful 3D graphics.

MACROS FOR PERFORMANCE
A performance view provides eight macro controls, pre-mapped to filters, oscillators, modulation, and effects in each preset. Just map the macros in RAZOR to eight knobs on your controller. And when using RAZOR in MASCHINE, these macros map automatically to the eight knobs on the controller – instant, effortless hardware control.