[dead] MOTU MX4 v2.2 AU RTAS MAS
MOTU MX4 v2.2 AU RTAS MAS
Meet the new instrument plug-in powerhouse for your studio. Inspired by legendary subtractive synthesizers, MX4 combines several core synthesis techniques in a unified, hybrid synthesis engine that delivers fresh and vintage sounds alike.
Version 2 Features
More built-in effects
Built-in effects allow you to incorporate the effect into your programmed presets, rather than having to apply them separately. MX4 Version 2 adds a flanger, phaser and all-important reverb. All of these effects are CPU efficient and add a broad new sonic palette for you to work with.
Try this: load a mono preset in MX4 Version 2 and listen to it вЂ” a pad for example. Now click the stereo button and play it again. Hear how it widens? Now drag the Stereo Detune slider to about 30%. What you'll now hear is nothing short of huge, spread across the stereo field. Now set the Unison Multiplier to 4, and get ready for *really* huge...
Anti-aliased (band-limited) wavetables
MX4 Version 2 gives you the best of both worlds: MX4 version 1's classic wavetables are perfect for that sought-after, searing aliasing effect. And Version 2's new anti-aliased wavetables give you the pure, pristine sound of every included wavetable, even in the highest registers.
Hundreds of new factory presets
Version 2 delivers hundreds of new presets in a wide range of categories, neatly organized into sub-menus for easy browsing. Many take full-advantage of the hottest new features, like the pattern gate, arpeggiator and pattern sequencer.
The Mods page represents an entirely new dimension in multi-synth programming. You now have unprecedented control over the sounds you can sculpt and design in MX4, all just a click away.
Pulsating, rhythmic, hypnotic, groovetronicвЂ”these are just some of the words that can be used to describe the rhythm-based effects in MX4 Version 2. Leading off the many new rhythm-based features is the Pattern Gate, which slices MX4's synth section into programmable pulses that are tempo-locked to your host application. Control pulse shape, pattern, length and swing.
MX4 Version 2's arpeggiator gives you everything you need to quickly achieve the arpeggiator effect you are looking for, including the "as played" setting, which lets you control the order in which every note is played. Or go "hands off" with the hold feature, which continues to play the arpeggio even after you let go of the keys.
Trigger an MX4 envelope rhythmically with your host application's tempo. Program any pattern you wish.
Gate and effects topology
Graphically arrange the signal flow of the synth section through MX4's two effects modules and the pattern gate. It's as simple as clicking and dragging.
Enhanced modifier key shortcuts
MX4 provides an innovative, "hands-on" approach to programming modulation sources and destination by clicking directly on the controls in the window with several intuitive modifier key shortcuts. The manipulation is so direct, you'll feel like you are touching the sound itself.
The pattern sequencer gives you the means to rhythmically modulate just about any parameter in MX4, with pin-point control over every step of the pattern. Sure, you can apply it to oscillator pitch, but that's just the beginning. The Pattern Sequencer can be applied to any continuously modulateable parameter, like filters, effects parameters, wavetable indexвЂ”you name it. This feature alone provides a entire universe of possibilities to explore.
The envelope follower brings the outside world into MX4 by transforming the amplitude of any external audio signal into a control signal for use inside MX4, as either a modulation source or shaper. Guitar FX and filter FX are examples to get your ideas flowing, but MX4's modulation architecture is so flexible, you'll quickly discover entirely unique ways to dynamically interact with MX4's multi-synth engine.
MX4 ships with five new shapers that will further refine your modulation programming: Invert, Transform, Sample & Hold, Lag Processor and Quantizer. These shapers can mean the difference between making a sound great to your ears and making it perfect.
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