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Samples » Kontakt
Sonica Instruments Koto 17 v2.0.0 KONTAKT screenshot
KONTAKT - 13,97 GB
KOTO 17, the seventh title in the Virtuoso Japanese Series, brings the sounds of the 17-string bass koto, an indispensable part of modern Japanese music, to music creators everywhere.

Coming three years after the development of KOTO 13, KOTO 17 benefits from advanced features that coax new tonal qualities from the library.

Naturally, KOTO 17 can be used as a solo instrument. But it complements the 13-string koto and shakuhachi extraordinarily well, making it an essential component in both classical and contemporary Japanese music circles. And when paired with other titles from the Virtuoso Japanese Series, such as KOTO 13 Version 2, KOTO 20, or SHAKUHACHI, KOTO 17 can complete an incredibly powerful ensemble.


Main Features​
- NKS ready and Kontakt Player compatible.
- Peerless reproduction of every performance nuance from the 17-string koto thanks to meticulous recording techniques and innovative programming.
- Exclusive Performance mode maps the 17 strings to adjacent white keys for easy performance of real koto glissandos and phrases.
- 20 key-switch-selectable articulations fundamental to the 17-string koto.
- Sustain pedal control for natural continuous-picking phrasing.
- Newly developed Instrument Modeler reproduces sound variations due to different fingerpicks and strings.
- Character selector lets you choose from three fingerpick thicknesses.
- String tone selector offers three string tones: Thick, Normal, and Thin.
- Includes three banks of quintessential koto phrases, all key-switch controllable.
- Plucking control function for full mastery over subtle, natural sounding picked notes.
- String editor enables independent tuning adjustments for all 17 strings.
- In addition to the 10 preset scales, the User Scale mode lets you create original scales.
- All samples recorded in 24-bit / 96 kHz high resolution to capture every tonal detail.
- Create your own mixes with the multi-microphone samples and a dedicated mixer with individual controls for Direct, Overhead, Room, and Stereo Mix channels.


17-string koto, an indispensable part of modern Japanese music, has never been more realistic
String editor enables independent tuning adjustments for all 17 strings.

The koto is played by adjusting the tuning of the 17 strings for each musical piece to be performed. KOTO 17 has a Scale Performance mode to map the tones of each string to 17 adjacent white keys. This lets the performer access the instrument in the most realistic way possible.

20 articulations to recreate every aspect of the 17-string koto’s playing styles

KOTO 17 contains 20 different articulations to recreate the koto’s diverse range of musical expressions. These include different nuances created by playing with the thumb, index, or middle finger as well as glissandos, tremolo picking, and even chirashizume pick scrapes. All articulations can be controlled independently with key switches.

The three KOTO 17 phrase banks contain special techniques that are difficult to reproduce, ranging from classic koto techniques such as glissandos and surizume to sound effects made by striking the bridges. Phrase banks are selectable with key switches and can be triggered from a MIDI keyboard. You can control the pitch and tempo of each phrase bank as well.

Instrument Modeler reproduces sound variations from different fingerpicks and strings
The tonal characteristics of the koto vary a lot depending on the fingerpick and string thickness used. To faithfully reproduce these variations, we developed a new function called the Instrument Modeler.

With the Instrument Modeler, you can adjust individual parameters, including the fingerpick and string thickness (Thick, Normal, and Thin), the pitch and attack of note transients, and noise components. This functionality makes it possible to control the character of the sound any way you like, from a natural playing feel to very aggressive performances.

Sonica Instruments Koto 17 v2.0.0 KONTAKT screenshot
Alternate picking articulations and sustain pedal control for natural continuous-picking phrasing
The library comes with three alternate picking articulations to recreate the natural sound variations that occur while playing a succession of pick strokes. Alternate picking can be switched with key switches or the sustain pedal control. This function makes it easy to reproduce realistic tremolo picking.

With the sustain pedal control on, you can switch between normal picking with key on events and alternate picking with key off events.

Sonica Instruments Koto 17 v2.0.0 KONTAKT screenshot
String editor enables independent tuning adjustments for all 17 strings
The library comes with 10 frequently used scales (Chromatic, Ionian, Natural Minor, Harmonic Minor, Melodic Minor, Dorian, Phrygian, Lydian, Mixolydian, Whole Tone), including a chromatic scale. You can perform many musical pieces with the presets and the key transposition function. The additional User Scale mode lets you create custom scales for specific compositions. When creating a custom scale, you can set the volume and panning for each string as well as fine tune each string.

- User scales
By customizing all 17 strings, you can set up scales for specific tunes or for your original compositions, allowing you to incorporate koto elements into any piece of music. Custom scales are saved as user scales and can be recalled at any time.

Note: User scales cannot be transposed.


Sonica Instruments Koto 17 v2.0.0 KONTAKT screenshot
Multi-microphone samplesтin full 24-bit / 96 kHz high resolution
The recordings were made with the utmost care, using more than eight microphones of various types together with colorless mic preamps. All library samples were recorded in 24-bit / 96 kHz high definition to faithfully capture the entirety of the koto’s delicate expressions.

The samples were recorded with three stereo microphone positions — Direct, Overhead, and Room — plus a Stereo Mix. Full mixing control is available, with individual Volume, Pan, Reverb Send, and EQ adjustments for each channel. The parallel output bus sends the microphone channels to individual DAW tracks for finer mixing sessions.

The library comes with 30 convolution reverbs, including two impulse responses from a Noh theater renowned among musicians for its acoustics. The convolution reverbs permit high-quality in-instrument sound creation.

Load manager reduces memory usage for smoother production work

With the load manager, the performer can choose to load only the desired articulations. Skipping unnecessary samples obtains smoother performance from the Kontakt engine.

Sonica Instruments Koto 17 v2.0.0 KONTAKT screenshot
MIDI Groove Browser
KOTO 17 features the incredibly useful Groove Browser, that lets you quickly find MIDI grooves and drag & drop grooves directly into your DAW.

You can adjust the grooves’ velocity, swing, playback tempo, and other parameters directly from KONTAKT / KOMPLETE KONTROL.

The library comes standard with 20 MIDI grooves, including short phrases that showcase what the instrument is capable of. When combined with the soon-to-be-released Groove Inspirations MIDI pack, the Groove Browser gives you access to an extensive phrase bank.

Works with NI Kontakt Player v6.6 and higher!


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comments

  Resident 2.03.2019 6 514
+506
whats the actual difference between koto 13, 17, & 20, other than size? Seems redundant to have the same instrument represented 3 different times by probably the same sample material.
  Member 14.08.2022 76
+19
It's a fair question. I'd say it's probably due to the way a koto is designed, which determines the various scales and tunings available while playing the instrument. That also impacts the way the virtual instrument is designed and the various options available in order to reproduce as much realism as possible.

The short answer is that the greater number of strings allows for lower notes as well as more notes within the range, since the strings on a koto are tuned to fixed pitches that can't be dynamically modified while playing (as opposed to instruments such as a guitar or violin). By offering more strings, additional notes become available.

The 13-string koto is the instrument most associated with traditional Japanese court music (gagaku) and classical compositions (like koto solo music).

The 17-string koto and 20-string koto are more frequently used in contemporary koto music to explore a broader pitch range, richer harmonic textures and deeper tonalities due to the increased length of the strings and the body.

All three versions of the koto overlap in terms of the central range of pitches (the middle octave range), but the additional strings in the 17-string and 20-string versions provide more flexibility, particularly in the lower and upper registers. While the 13-string koto typically covers around 3 octaves (C4-C7), the 17-string koto covers a similar range but with more emphasis on the lower notes (down to either G3 or C3). The 20-string koto extends even further (as low as B2). Compared to a traditional 13-string koto, the extra strings on 17- and 20-string kotos allow for thicker and more complex voicings. (For reference, the range of an 88-key grand piano is A0-C8.)

I don't think Koto 20 has been released, so Koto 17 would probably be the one to choose if you only want one library.
  Member 23.11.2016 4 64
+113
13 is your very traditional Koto. If you hear one playing in movies, animation or games, it's most likely going to be that one. If it's the sound of traditional Koto you want, it's the one you should get.

17 is a Bass Koto with much longer strings and with range extended down. It's a good accompaniment to other instruments but can stand on it's own quite well. It's versatile but doesn't sound the same as 13 string one. Get it if you need the sound of Koto but in a lower range.

20 is pretty much like 13 but with overall extended range due to extra strings. More strings generally allow you to play chords more easily and build more complex chords. It has different tone compared to 13 and it's more of a specialized version of an instrument. If you need those extra strings or if you like the sound of 20 better, then get it. But if you don't, then I think standard 13 string Koto is the one most people should get.
  Member 14.08.2022 76
+19
Not to quibble too much, but I would say Koto 13 is ideal if you want to produce traditional Japanese music. Otherwise, if you want to compose more contemporary music, Koto 17 or 20 are probably better suited. If Koto 20 had been posted here then I'd say grab that, but it hasn't been shared anywhere that I know of. There are tons of tunings and scales included in Koto 17 along with user tunings. The upper range of Koto 17 tuned the same as Koto 13 sounds wonderful with richer timbre and more resonance. So to thghgv, I suppose try them both and see if you need both, but Koto 17 meets all my needs.
  Member 14.08.2022 76
+19
Well, Koto 20 just got posted! Very cool.
  Releaser 22.10.2007 2271 1451
+165542
quote by thghgvwhats the actual difference between koto 13, 17, & 20

number of strings
ViP Team - true legends stays in history!
  Member 14.07.2024 10 24
+199
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