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Samples » Kontakt
XPERIMENTA Audio Due v1.9.31 KONTAKT screenshot
KONTAKT - 16,38 GB | Incl. BONUS Patches
C3 + C7
When Flavio and the team decided to make this sample library, they had in mind to create something special, something unique, that could really keep the real essence of the acoustic piano. We combined the art of sampling and the art of scripting to make the best sampled piano we could, made for satisfying the most demanding composers and musicians.

XPERIMENTA Due is our new-philosophy piano library, containing two premium pianos recorded with top-end gear and unique detail.

XPERIMENTA Audio Due v1.9.31 KONTAKT screenshot
- 2 beautiful sampled pianos in one library: a C7 Gran Coda and a C3 Half Coda
- 14 Dynamic Layers chromatically sampled
- 16,6GB, 9.500 samples and 1 year of work
- Up to 3 Microphone positions: Close, Player (only C7), Room
- Real Sympatetic Resonance, Overtones and advanced Repedaling simulation
- Shape your sound with "Formant", "Tone balance" and an integrated envelope.
- 15 noise layers (cotton, leaves, etc.) and 9 instrument layers (choir, kantele, etc.)
- New! "Feeling" simulates the responce of a weighted keyboard
- New! now Due supports Half Pedaling




Every pianist knows that not all the pianos are the same. Each instrument can have a so different touch and color, and sometimes it is important to find the right piano for the right piece.

This is why we sampled two instruments so deeply: we wanted to give to our customers the freedom to choose between two different instruments, recorded both with the same quality.

The art of recording
After endless sessions of testing, we recorded the pianos using only top-end microphones as DPA, Neumann, Gefell, in two beautiful-sounding rooms in Sibelius Academy Studios, Helsinki.

The art of scripting
We simulated the acoustic behaviour of the piano, with a combination of fine sampling of the mechanics (i.e. hammer and pedal noises) and a phisic-modeling philosophy of scripting.

The game of the resonance
We believe that a piano is not just a sum of its sounds: indeed, all the strings “interact” each other when played, in a complex game. We recreated this interaction in two ways:

Overtones: We sampled the “overtones”, that are the harmonic resonances that the strings generate by sympathetic resonance, controlled by a special engine. We also sampled the sound of the strings with the sustain pedal down.

Impulse Response: in collaboration with the Sibelius Academy Music Technology Department, we sampled the impulse response of the strings and the body of the C7.



Formant control
“Formant” allows you to make the sound of the piano “bigger” or “smaller”, by changing the formant of the sound. It can be used both for shaping the sound and for creative purposes. On maximun/minimum values, you can create a slow-down effect (like in the demo) or a chipmonk tune.

Microphone settings
We sampled the pianos with multiple microphone positions.

- “Close”: the microphones are close to the strings, and the sound is modern and clean.

- “Player”: the microphones are in the same position of the player. The sound results incredibly natural and well balanced.

- “Room”: the microphones are far from the piano, so they will capture the reflection of the recording room. The sound is wide and it fits well with classical music.


XPERIMENTA Audio Due v1.9.31 KONTAKT screenshot
Layers
Expand your possibilities: Due allows you to add a noise or an instrument layer to the sound of the piano. With this feature, is possible to create a felt-like piano (with a cotton layer) or a full sound preset (with a choir layer).

- NOISE LAYERS: Cotton 2, Cotton 2, Cotton Soft, Paper, Sponge, Leaves, String Perc, Key, Metal, Plastic 1, Plastic 2, Warm Plastic, Glass, Bells 1, Bells 2

- INSTRUMENT LAYERS: Bells, Kantele, Piano, Harmonics, Choir, Guitar, Glockenspiel, Vibraphone, E. Guitar


XPERIMENTA Audio Due v1.9.31 KONTAKT screenshot
Oldify
“Oldify” is a collection of effects that allows you to simulate an old recording.

- Tape adds an harmonic distorsion to the sound

- Flutter simulates a fast modulation of the tape

- Wow simulates a slow and random modulation of the tape

- Filter is a band-pass filter: here you can easily simulate crappy speakers, like a phone-call


XPERIMENTA Audio Due v1.9.31 KONTAKT screenshot
Convolution Reverb
Choose between 17 convolution reverb, and place your piano where you want!

IR Reverb: Room 1, Room 2, Large Room 1, Large Room 2, Large Room 3, Hall 1, Hall 2, Wood 1, Wood 2, Large Hall, Opera Hall, Parking 1, Parking 2, Church 1, Church 2, Arena, Spring.

XPERIMENTA Audio Due v1.9.31 KONTAKT screenshot

Requires the FULL version of NI Kontakt v5.5.1 or higher!

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comments

  Member 14.08.2022 88
+21
I've got a ton of pianos, but man, the demos sound really nice. Noticed that it supports half-pedaling, which is a nice touch. Thank you once again, Talula!
  Resident 30.01.2014 6 2381
+440
Are there "noise" sounds and other sounds in the demo or is it me, here? I mean lots of them. All the time. This can't be a feature.
  Member 14.08.2022 88
+21
Which demo? I've listened to all the Soundcloud ones and granted I'm on a laptop but I don't hear any noise that sounds unusual. It's become more common for piano libraries to have natural mechanical noises such as the felt lifting off the strings or pedal rods. These are usually controllable so the volume can be changed or the layers can be muted, An acoustic recording is not going to be pristine, so these are indeed features aimed at injecting additional realism into sampled instruments.
  Resident 2.10.2008 549
+158
Some demos are noisy indeed, seems like they had some of the noise layers or the room microphones enabled.
A great piano otherwise.
  Member 21.05.2018 10 331
+312
All demo recordings were checked and no problematic noise was present. The most easily recognisable noise is the "pedal" and "mechanical" noises in ‘Soft Impro’ and ‘Impro October 11’, but these are musical noises that are always present in a recording if you record a real piano. These are musical noises that are always present in recordings of real pianos. These noise elements should be able to adjust their volume inside the library.

Personally, I found some problems with overtone expression in the climax part of ‘Rachmaninoff’, but this is due to the performance and cannot be attributed to the quality of the library.

If you hear unpleasant noises such as clipping noises, then perhaps there is a problem with your listening system. You can eliminate clipping noise caused by True Peaks by setting the output level of the output device, such as an audio interface, slightly lower rather than set to maximum.
  Resident 30.01.2014 6 2381
+440
Sometimes the sound seemed to be a bit distorted.

But I didn't realize that there have been noises and sounds been layered on purpose.

I only listened but didn't watch the video. Some sounded out of place and too loud.

But I love the sound without any noises. Pedal sounds should be really subtle in my opinion, but that everyone's own taste of course.

The price is really good for the recording of two pianos. I am testing and propably buying it because it sounds really great.

You should hire "Samthebearduy" for a demo video or send him the software so he can play it. His playing is really wonderful and emotional.

https://www.youtube.com/watch?v=d8l5z9nrS-U
  Resident 21.09.2015 334
+32
I have many piano libraries, but this is one of the best.
  Member 1.05.2015 110
+21
the Comment has been Removed
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  Member 1.05.2015 110
+21
Is there a way to activate the "player" samples in the second piano or is it simply broke ?
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