major7th Yu Vocalise v1.0.1 KONTAKT-0TH3Rside

In the first year of my university, we had to learn phonetics and prosody, I confess I did not like to be massive and very difficult, I always wondered why in the first year, therefore, it takes 5 years to learn another language with proficiency, so to understand all the Opera: Italian, Austrian, the difficult French and the late German opera.

I will never forget when several phonetic professors referred to certain races as possessors of characteristic timbres (tones), such as the Italian race, that in its language has few nasal vowels, very little nasal tones compared to others, then imagine that all the maximum development of the opera, occurred in Italy, and even Mozart was annoyed to be forced to compose opera in Italian idiom, now imagine the tradition that is singing in Italy, is not for nothing that the greatest opera singers are from there and from Spain.

Now. Imagine other races that produce nasal vowels singing the Italian opera. The Orientals for example, use many nasal vowels, this is not ugly, it is the characteristic of their languages. the fact is; In the western world ears, nasaloides are not welcome. This is neither opinion nor prejudice, it is TRADITION, something stronger than anything else.
And for those who want to update themselves a bit more, for more advanced people, intellectuals and people better prepared on this dizzy globe, there is no PREJUDICE, however, REFERENCE.

Singing with nose never worked out so well, and was a pleasure for me that some software developer companies have already contacted me, having to register in audioz, just to discuss some of the comments I made, I collected good connections from it all.

Sincerely, the youtube demo: 'Rachmaninoff Vocalise' sounds very well to have been made by this 'major7th Yu Vocalise', my humble hearing hears, someone singing directly into a microphone, with exception in time 2:21 to 2:22. While the other demos present characteristic defects of legato scripts for Kontakt and are very poorly done and nasalic.

I think that this Vocalise can be useful, any attempt of applications for voice is welcome, just do not use to make thirds or chords, because of the absolute frequency between voices is so perfect, that does not have out beats frequencies, as it happens when two sopranos sing to the same time, solve this opening a second instance in Kontakt and use 'fine tune' to micro tune one of the voices, otherwise your music will be unbearable to hear.

Listen to the most amazing vocalises in music history:
'Kiri Te Kanawa on the Russian Rachmaninoff Vocalise', with such a name, she is not Japanese.

'Kiri Te Kanawa' on on the Brazilian Villa-Lobos's Cantilena

on the French Ravel's Pavane pour une infante defunte

on the French 'Gabriel Fauré's Pavane

Elgar, not exacly a vocalise, but...
Lux æterna" (on the English Edward Elgar or Lux Eterna only vocal

Book recommendation, only text, nothing scored:
Composing for Voice: A Guide for Composers, Singers, and Teachers - author Paul Barker