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Опрос

Your Primary Genre
Soundtracks - 766 (5.23%)
5.23%
Pop, R&B, Funk - 1282 (8.75%)
8.75%
Rock, Metal - 2135 (14.57%)
14.57%
Rap, Hip Hop - 2982 (20.35%)
20.35%
Jazz, Classical - 533 (3.64%)
3.64%
World, New Age - 141 (0.96%)
0.96%
Avant-Garde - 159 (1.09%)
1.09%
Folk, Country - 121 (0.83%)
0.83%
Ska - 29 (0.2%)
0.2%
Electronic (general) - 3115 (21.26%)
21.26%
- Ambient, Lounge - 290 (1.98%)
1.98%
- Club, Dance - 437 (2.98%)
2.98%
- D&B - 500 (3.41%)
3.41%
- House - 1245 (8.5%)
8.5%
- Trance - 656 (4.48%)
4.48%
- Industrial - 259 (1.77%)
1.77%

14650 votes

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fresh releases

Education » Video Tutorials
Lynda - Learn Reason 9: The Basics TUTORiAL screenshot
P2P | July 23 2016 | 2.6 GB
Learn the basics of Reason 9, the professional-grade DAW, from setup and recording to mixing and mastering. Matt Piper shows how to configure the preferences, use the file browser, and get comfortable with the various windows and views. Next, he moves into recording music, showing how to record audio and software instrument tracks, create beats, sample audio, use REX loops, and record automation. Then it's time for editing, using tools such as quantization, pitch correction, time stretching, tempo and time signature automation, and the Comp Editor. Matt also demos mixing techniques, such as setting panning and volume levels; using EQ, compression, gates and sidechain compression; setting up effects sends; and creating parallel channels for compression. Finally, he demonstrates how to use the mastering tools in Reason, as well as how to prep a mix to give to a mastering engineer and how to export stems for collaborative purposes.
loops, MIDI, SF, Akai
Sonic Elements UNDER CONSTRUCTION Trance Volume 1 WAV MiDi-DISCOVER screenshot
DISCOVER | July 23 2016 | 918MB
UNDER CONSTRUCTION Trance Volume 1 is an essential Royalty-Free sample library for any electronic music producer. This samplepack created by renowned dance and soundtrack producer bLiNd, aka Jordan Aguirre contains floor shaking Bass Lines, crowd pleasing Melodies, ethereal Pads, and crisp Percussion Lines sure to capture the attention of any crowd.
Samples » loops
Rankin Audio Fundamental Hip Hop Kits WAV screenshot
FANTASTiC July 21 2016 | 636 MB
Fundamental Hip Hop Kits bridges the gap between silky vintage hip-hop and the sound of now, with vastly spacious beats and powerful basslines, all the way through to lofty tones and vibes of a more tender nature, all ready and waiting to be remixed, rewritten, sampled, or to shun away your writer's block.
Education, Video Tutorials
Kadenze - Programming Max: Structuring Interactive Software for Digital Arts (Session 2) screenshot
Max is a powerful platform that accommodates and connects a wide variety of tools for sound, graphics, music and interactivity using a flexible patching and programming environment. Max allows most computer users to write a simple, meaningful program within a few minutes, even with limited programming knowledge. But to do something more substantial it's necessary to approach Max as an actual programming language, by taking advantage of its various mechanisms for abstracting program elements into scalable, reusable components that can be combined in increasingly powerful ways.

Reuploaded 🏴‍☠️. PiRAT

Education » Literary
Remix and Life Hack in Hip Hop screenshot
English | 2016 | ISBN: 946300498X, 9463004998 | 158 Pages | PDF (True) | 1.8 MB
Many hiphoppas labour to sustain Hiphop Kulture in their communities far from the big stages, world tours, and hit singles enjoyed by a shockingly few American hiphoppas. The creative labour of these few mega stars is calculated in billions of dollars. But for most hiphoppas, their creative labour may never get expressed in economic terms. Instead it is expressed in social capital, the production of collective and individual subjectivities, the bonds of love that build and hold communities together, and the healing of broken hearts, broken homes, and broken neighborhoods in broken cities. Hiphop Kulture is NOT a music genre, it is MUCH more, and exploring how the sharing of aesthetic resources builds community, and how situated learning plays a necessary role in cultural sustainability draws out questions that may lead to a model of community located cultural education, and a starting point for a critical pedagogy of music.

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