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weekly top

Metric Halo (MHMBS) - CGII_v4.0.71.235 -X-Metric Halo (MHMBS) - DBVerb_v4.0.71.235 -X-Black Salt Audio Telos Drums v1.0.3-SEnkiZynaptiq BALANCE v1.0.2 -X-Toontrack Modern Retro EZX v1.0.1Zynaptiq INTENSITY 2.0 -X-Toontrack EZkeys v2.1.2 - V.R

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Опрос

Your Primary Genre
Soundtracks - 810 (5.14%)
5.14%
Pop, R&B, Funk - 1387 (8.8%)
8.8%
Rock, Metal - 2329 (14.78%)
14.78%
Rap, Hip Hop - 3190 (20.24%)
20.24%
Jazz, Classical - 568 (3.6%)
3.6%
World, New Age - 150 (0.95%)
0.95%
Avant-Garde - 166 (1.05%)
1.05%
Folk, Country - 131 (0.83%)
0.83%
Ska - 36 (0.23%)
0.23%
Electronic (general) - 3338 (21.18%)
21.18%
- Ambient, Lounge - 315 (2%)
2%
- Club, Dance - 470 (2.98%)
2.98%
- D&B - 556 (3.53%)
3.53%
- House - 1332 (8.45%)
8.45%
- Trance - 697 (4.42%)
4.42%
- Industrial - 282 (1.79%)
1.79%

15757 votes

audiosex feed

Best use of AI in music so far Neurofunk, your thoughts about AMD Ryzen 9 9950X 16-Core VS Mac Mini M4 Pro 12-Core Nice cheap wireless for guitar or bass.. closed:Bundle Sale Recommendations for Affordable Cassette Recorder (Stereo) Kontakt Wallpaper Requests & Comments latest version of Convolution Reverb? Why didn't these land? Looking for frank thoughts Why old analog synth and some new are noised (?)

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fresh releases

Samples, sound effects, loops
OST Audio Spooky Beats WAV-FANTASTiC screenshot
FANTASTiC | 24 December 2021 | 149 MB
'Spooky Beats' by OST Audio is a pack aimed at the creation of dark beats to perfectly match the atmosphere of October's festivities.

This pack contains dark melodies, 808, and basslines that can be the perfect basis for your next track. In addition, this pack also includes ready-to-use drum loops and drum shots to create your own custom loops. You can also use spooky vocals and Foley sounds to fill the track.
Education » Literary
Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing screenshot
English | ISBN: 0197551912 | 2021 | 344 pages | PDF | 31 MB
The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. In the early fifteenth century, a musician might be asked to sing a line slower, faster, or starting on a different pitch than what is written.

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