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I've spent my life trying to make things simpler. Because I find ultimately that complicated doesn't reach the heart. (c) Hans Zimmer

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TEAM R2R Roland Cloud Emulator v1.0.1-R2RCelemony Melodyne Studio 4 v4.1.1.011-R2RKlanghelm SDRR 2 saturation chameleon v2.0.0 WiN-OSX RETAiL-SYNTHiC4TEFlux Full Pack 2.2 v3.5.29-R2RTC Electronic VSS3 Native v1.0.5-R2RFlux IRCAM Tools 1.1 v3.5.29-R2RAudio Damage AD036 Dubstation 2 v2.0 WiN-OSX RETAiL-SYNTHiC4TE

poll

Опрос

Your Primary Genre
Soundtracks - 398 (5.93%)
5.93%
Pop, R&B, Funk - 504 (7.51%)
7.51%
Rock, Metal - 872 (12.99%)
12.99%
Rap, Hip Hop - 1162 (17.3%)
17.3%
Jazz, Classical - 241 (3.59%)
3.59%
World, New Age - 76 (1.13%)
1.13%
Avant-Garde - 71 (1.06%)
1.06%
Folk, Country - 62 (0.92%)
0.92%
Ska - 11 (0.16%)
0.16%
Electronic (general) - 1482 (22.07%)
22.07%
- Ambient, Lounge - 144 (2.14%)
2.14%
- Club, Dance - 241 (3.59%)
3.59%
- D&B - 249 (3.71%)
3.71%
- House - 710 (10.57%)
10.57%
- Trance - 379 (5.64%)
5.64%
- Industrial - 113 (1.68%)
1.68%

6715 votes

audiosex feed

Can a Track be outdated? New Roland Cloud Suggestion... ROLAND CLOUD D50 Enough is Enough... Buy it!!!, or You will be considered an arshole Kontakt Wallpaper Request & Comments Waves SSL-E Going Solo for $29.00 Instrumental/karaoke tracks for practising any good? From where? cameo word up (sounds ) Anywhere you can get raw multitrack stems? Kontakt Library Addiction... it's a problem?

requests

fresh releases

Windows, Mac OSX
Inear Display Incipit v.1.2.1 x86/x64 Win/OSX screenshot
AudioZ Exclusive | 12 Apr 2017 | Win/OSX | VST/AU | x86/x64 | RAR 8.38 MB

Creative Delay Toolbox. Created with sound designers in mind, Incipit is also a perfect fit for musicians who want to quickly mutate their sounds. Wether you need a subtle dub delay or a twisted alien texture, the intuitive user interface will get out of your way to quickly craft the perfect patch for the task.
Samples, sound effects, loops, MIDI, SF, Akai
Prime Loops Dirty Future House WAV MiDi screenshot
FANTASTiC | 13 April 2017 | 329 MB
Delve deep into the darker side of modern House Music: with Dirty Future House Prime Loops delivers yet another set of quality Producer Tools!

Featuring next-level production skills and cutting edge sound design we've pushed the boundaries of modern House once again with this one.

Inside Dirty Future House you'll find over 397MB of super-heavy frequencies inspired by innovative artists like Oliver Heldens, Tchami and Motez.
instruments, sound effects, presets, patches, impulses, MIDI, SF, Akai
Adam Florin Patter v1.1 for Ableton Live v9.7.1 ALP-SYNTHiC4TE screenshot
SYNTHiC4TE | April 13th 2017 | 1.9 MB
Get to grips with Patter, a creative MIDI effect for Max for Live that creates truly surprising musical ideas. Its ability to generate unique rhythms and melodies, and deft control over randomization elements make it an exciting tool for those looking for inspiration and experimentation.

archives

Education » Literary » Songbooks, Sheets
Berklee Press - Melody in Songwriting screenshot
ilfsn | AudioZ Exclusive | April 12 2017 | 36MB
Melody in Songwriting - Tools and Techniques for Writing Hit Songs - by Jack Perricone

Discover songwriting techniques from the hit makers!

Melody is a subject too often neglected in the teaching of music. This unique resource gives melody that attention it deserves, and proves that melody writing is a skill that can be learned.
Education » Literary
Image Music Text by Roland Barthes, Stephen Heath (Translator) screenshot
English | Publisher: Fontana Press, 1993 | 226 Pages | PDF | 5,2 MB
Image-Music-Text brings together major essays by Roland Barthes on the structural analysis of narrative and on issues in literary theory, on the semiotics of photograph and film, on the practice of music and voice. Throughout the volume runs a constant movement from work to text: an attention to the very ‘grain’ of signifying activity and the desire to follow – in literature, image, film, song and theatre – whatever turns, displaces, shifts, disperses.
Education » Literary
Film's Musical Moments (Music and the Moving Image Series) by Ian Conrich, Estella Tincknell screenshot
English | Publisher: Edinburgh University Press, 2006 | 240 Pages | PDF | 2 MB
The scope of this collection is indicative of the breadth and diversity of music's role in cinema, as is its emphasis on musical contributions to 'non-musical' films. By bringing together chapters that are concerned both with the relationship between performance, music and film and the specificity of national, historical, social, and cultural contexts, Film's Musical Moments will be of equal importance to students of film studies, cultural studies and music.
Education » Literary
Film Rhythm after Sound: Technology, Music, and Performance by Lea Jacobs screenshot
English | Publisher: University of California Press, 2015 | 280 Pages | PDF | 9,1 MB
The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing.
Education » Literary
Film Music (Pocket Essential series) - Revised and updated edition by Paul Tonks screenshot
English | Publisher: Pocket Essentials, 2003 | 97 Pages | PDF | 1,7 MB
Pocket Essentials is a dynamic series of books that are concise, lively, and easy to read. Packed with facts as well as expert opinions, each book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. Classical purists say it isn't "real" music, yet it regularly tops charts and plays to sell-out concert hall audiences.
Education » Literary
Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema by Robert Robertson screenshot
English | Publisher: Tauris Academic Studies, 2009 | 256 Pages | PDF | 4,5 MB
The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his handful of films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Here Robert Robertson explores a significant area of Eisenstein’s thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before with the advent of digital technology–music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result.

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