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Your Primary Genre
Soundtracks - 766 (5.23%)
5.23%
Pop, R&B, Funk - 1282 (8.76%)
8.76%
Rock, Metal - 2133 (14.57%)
14.57%
Rap, Hip Hop - 2978 (20.34%)
20.34%
Jazz, Classical - 533 (3.64%)
3.64%
World, New Age - 140 (0.96%)
0.96%
Avant-Garde - 159 (1.09%)
1.09%
Folk, Country - 121 (0.83%)
0.83%
Ska - 29 (0.2%)
0.2%
Electronic (general) - 3114 (21.27%)
21.27%
- Ambient, Lounge - 290 (1.98%)
1.98%
- Club, Dance - 436 (2.98%)
2.98%
- D&B - 500 (3.42%)
3.42%
- House - 1245 (8.5%)
8.5%
- Trance - 656 (4.48%)
4.48%
- Industrial - 258 (1.76%)
1.76%

14640 votes

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Favorite Ramen? Soundtoys second iLok Macbook M1 Pro & Lacis SSD issue Legit Kontakt libraries with K'ed Kontakt Selling Soothe 2 (120 dollars) Kontakt Wallpaper Request & Comments Just installed Omnisphere, but it won't accept STEAM folder location. Any help? Ostirus baking my Mac M1 how can i know i am listening 20db (for example) from the daw NEW 02.05.2024 - Reason 13 is here

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Windows, Mac OSX
OSCiLLOT Lite 1.0 screenshot
ableton live 9.5|Xinpunk
OSCiLLOT Lite is a free version of the OSCiLLOT Modular System
As with all things modular, it’s the creative combination and interaction of modules (not their absolute number) that makes things interesting.
Education » Literary
What Makes It Great Short Masterpieces, Great Composers by Rob Kapilow PDF screenshot
2011 | ISBN: 0470550929 | 320 pages | PDF | 13.86 MB
Anyone who is familiar with the What Makes It Great? series—which airs on NPR's Performance Today at Lincoln Center as well as at other concert halls around North America—knows about Rob Kapilow's special gift for helping listeners of all kinds deepen their understanding and appreciation of classical music.
Education » Literary
Composers at Work The Craft of Musical Composition 1450-1600 by Jessie Ann Owens PDF screenshot
Oxford University Press | ISBN-10: 0195129040 | 368 pages | PDF | 26.23 MB
How did Renaissance composers write their music? In this revolutionary look at a subject that has fascinated scholars for years, musicologist Jessie Ann Owens offers new and striking evidence that contrary to accepted theory, sixteenth-century composers did not use scores to compose--even to write complex vocal polyphony.
Literary, outdated
William Russo Composing Music A New Approach PDF screenshot
Publisher: Univ of Chicago Pr | 1988 | ISBN: 0226732169 | English | PDF | 240 pages | 6.36 MB
Aimed at those who have some knowledge of music but not formal training in composition, this concise introduction to composing starts right in with a brief composition exercise, then proceeds step by step through a series of increasingly complex and challenging problems, gradually expanding the students musical grammar.

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