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WinRAR 7.12Strymon BigSky Plugin v1.2.0-R2RStrymon Cloudburst Plugin v1.0.0-R2RLexicon PCM Native Reverb Plug-in Bundle v1.3.13.8007-R2RStrymon El Capistan v1.0.0-R2RStrymon BigSky Plugin v1.2.0 REPACK-R2RLexicon PCM Native Effects Plug-in Bundle v1.3.13.8007-R2R

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Опрос

Your Primary Genre
Soundtracks - 812 (5.12%)
5.12%
Pop, R&B, Funk - 1397 (8.81%)
8.81%
Rock, Metal - 2344 (14.78%)
14.78%
Rap, Hip Hop - 3211 (20.25%)
20.25%
Jazz, Classical - 574 (3.62%)
3.62%
World, New Age - 150 (0.95%)
0.95%
Avant-Garde - 167 (1.05%)
1.05%
Folk, Country - 131 (0.83%)
0.83%
Ska - 36 (0.23%)
0.23%
Electronic (general) - 3362 (21.2%)
21.2%
- Ambient, Lounge - 316 (1.99%)
1.99%
- Club, Dance - 472 (2.98%)
2.98%
- D&B - 558 (3.52%)
3.52%
- House - 1341 (8.46%)
8.46%
- Trance - 701 (4.42%)
4.42%
- Industrial - 286 (1.8%)
1.8%

15858 votes

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Best Gaming laptop to buy for music production and gaming in 2025? SALE!: $49.99 Studio One 7 Pro | $25 Komplete 15, Plugin Alliance, Addictive Drums 2, GForce Is Maschine a better looper than Ableton..? Help Me Build a Vocal Mixing Template (Any Advice Welcome!) What should I choose between Macbook M2 or a laptop with Ryzen 7 5825u? Boards of Canada What are you listening to now? The AudioSex Movie House Kontakt Wallpaper Requests & Comments Ableton 12.1.10 Crashes when Removing Audified Plugins

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fresh releases

Samples » multi-libraries
Henry Olonga Vintage You47 Microphone for Nebula 192 khz-MAGNETRiXX screenshot
Team MAGNETRiXX | 19 February 2014 | 352.75 MB
This sampling is part of the Microphone Locker Series – a series that allows you to add the sonics of highly desired microphones. This particular microphone is a Classic. It has a beautiful high mid range that can bring vocals, strings and anything acoustic forward in the mix in a pleasant way. I have included 4 distances with this microphone. Pair this with any of my preamps to give a new texture to your files.

This is a cutting edge library guaranteed to make your mixes sound less digital. You will be amazed at how someone had placed a sock over your digital files. Sampled at the highest sampling rate available to date in Nebula Libraries and delivered at that rate. Native 192 khz sampling and also 96 khz available. Designed to work best at 96 khz. This means you need to be patient as the libraries load and resample internally. Don’t worry, the quality will speak for itself. You will be amazed at the improved transient response.

Reuploaded. PiRAT

Samples
Henry Olonga Tork Bass Guitar Amp for Nebula 192 khz-MAGNETRiXX screenshot
Team MAGNETRiXX | 19 February 2014 | 403.51 MB
Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 18 presets. Library size is 430 MB. 10 distortion kernels. Please note that these require a fully licensed Nebula Pro license to enjoy.

A simple bass T100BX amp to give you a bit of space to your low end. It may need a bass boost with an EQ as there is a roll off in the deep end that will thin your bass somewhat if you are looking for deep notes.

Reuploaded. PiRAT

Software » Windows
Mus2 v2.0.6-UNION screenshot
Team UNION | Feb 18 2014 | 102 MB
TMus2 is an easy to use and handy music software designed to help you notate microtonal works and music. The application comes with support for microtonal MIDI recording and playback options. It allows you to work with non-12-TET tunings and pitch systems, offering you full control over the lines and pitches.
Software » Mac OSX
Mus2 v2.0.6 MAC OSX-UNION screenshot
TEAM UNION 02/18/14 | 130.56 MB
Mus2 is an easy to use and handy music software designed to help you notate microtonal works and music. The application comes with support for microtonal MIDI recording and playback options. It allows you to work with non-12-TET tunings and pitch systems, offering you full control over the lines and pitches.
Samples » multi-libraries
Cupwise Casseteverb A For Nebula-MAGNETRiXX screenshot
Team MAGNETRiXX | 18 February 2014 | 1.27 GB
Cassette tape + reverb. Various sources of reverb/delay effects were fused with the tone qualities of the cassette format. These are custom made. When a reverb unit (or software) was used that allowed fine tuning of the effect, it was adjusted to taste. When reverb sources were used that did not allow for any control, they were used in tricky ways, and often had their character manipulated by various other tone shaping tools. Feedback loops with the tape in the path were sometimes used to enhance the effect of the tape, and help bring all of the verb/delay elements together. The main idea of the tape was to smooth out, and give some ‘analog’ qualities to the otherwise digitally sourced/created reverbs.

Reuploaded. PiRAT

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