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Опрос

Your Primary Genre
Soundtracks - 810 (5.15%)
5.15%
Pop, R&B, Funk - 1381 (8.79%)
8.79%
Rock, Metal - 2322 (14.77%)
14.77%
Rap, Hip Hop - 3185 (20.26%)
20.26%
Jazz, Classical - 568 (3.61%)
3.61%
World, New Age - 150 (0.95%)
0.95%
Avant-Garde - 166 (1.06%)
1.06%
Folk, Country - 130 (0.83%)
0.83%
Ska - 36 (0.23%)
0.23%
Electronic (general) - 3335 (21.22%)
21.22%
- Ambient, Lounge - 315 (2%)
2%
- Club, Dance - 468 (2.98%)
2.98%
- D&B - 553 (3.52%)
3.52%
- House - 1326 (8.44%)
8.44%
- Trance - 694 (4.42%)
4.42%
- Industrial - 279 (1.78%)
1.78%

15718 votes

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Education, Video Tutorials
[dead] Future Music In the Studio With Joey Negro FM200 [HF only] screenshot
Lee began producing in 1988, after founding his first label, the now extinct Republic Records. After creating a string of acid house tracks as part of the M-D-Emm production team, Lee became one of the first to incorporate disco samples starting with "Together Forever", a cover of a track by disco band Exodus, produced under the name Raven Maize, with some assistance from Blaze.
Education
Composing Music on Paper & Computers : Musical gesture Recognition by Bobby owolabi

Despite technological breakthroughs in computing technology in the last few decades, paper is being used increasingly . This is especially true in artistic and creative disciplines, such as music, where paper tends to be utilized a great deal. This state of affair exists because of the complementary set of affordances that paper and digital documents provide. Paper is portable, flexible and inexpensive ; while, digital documents are easy to transmit, store and modify. For instance, when a composer is in the early stages of creating a musical piece, it is far easier to take out a sheet of paper on the spark of inspiration, rather than a technological device, because one can express themselves on paper quicker than waiting for a device to load.

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