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archives
[dead] Groovebox Training Cubase 4 Operator
[dead] VTC MasterClass VST Instruments And Effects Vol.3
[dead] Home Recording for Musicians (for Dummies)
![[dead] Home Recording for Musicians (for Dummies) screenshot](http://pixhost.ws/avaxhome/bc/68/000968bc_medium.jpeg)
Pages: 384 | 2005-08-08 | ISBN 0764588842 | PDF | 3 MB
Build a home studio to fit any budget
[dead] eBook: Piano Blues lessons with movie and audio files
[dead] eBook: Samuel Adler The Study of Orchestration (2nd edition)
[dead] Keyboard Magazine April 2009 (PDF)
[dead] The Schenker Project Culture, Race, and Music Theory
Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived.
[dead] Monster Scales And Modes
[dead] Music Therapy and Trauma: International Perspectives
Publisher: Jessica Kingsley Publishers | 2002-06 | ISBN 1843100274 | PDF | 272 pages | 1.4 MB
Music communicates where words fail, and music therapy has been proven to connect with those who were thought to be unreachable, making it an ideal medium for working with those who have suffered Psychological trauma. Music, Music Therapy and Trauma addresses the need for an exploration of current thinking on music and trauma.
[dead] Stephen Webber Turntable Technique: The Art of the DJ
This material is no longer available for download. Sorry.. PiRAT
[dead] Handbook of Audio and Radio Engineering
David Temperley Music and Probability PDF

PDF | 2.56 MB
In Music and Probability, David Temperley explores issues in music perception and cognition from a probabilistic perspective. The application of probabilistic ideas to music has been pursued only sporadically over the past four decades, but the time is ripe, Temperley argues, for a reconsideration of how probabilities shape music perception and even music itself.
Reuploaded. PiRAT