Udemy Piano Basic Foundation TUTORiAL

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Throughout a lifetime, I asked many pianists around the world, what they studied every day for the piano technique, they all answered the same thing: "SCALES AND ARPEGGIOS".

Because playing any instrument is practically that. Musical ideas are grouped into scales and arpeggios starting halfway up or down. Therefore, if you study in all keys, you will solve 60 to 85% of your problems. Imagine studying this on the trumpet or sax, in addition to hitting the fingers, you have also to control the breath.

On piano, bass, singing, guitar it's the same thing. Forget methods like "Jazz Hanon", and books made by imbeciles that are born every day. Forget the millions of centenary books, because they talk about the same subject.

When starting any study, don't wait to achieve on page 40, where the scales start, start making the scales along with the first pages of any method.
I read Hanon as a teenager, I studied it for 2 years, although there are many professors who condemn it, because, when all the great masters of music had already died, that book "Hanon" was published, then adopted by the Paris conservatory and copied by Russians and Ucranians.
It can be a very useful method, if you do the basics of it, without having to do the exercises in all keys, even because, the fingers do not adapt to the black key, like someone or Hanon himself suggested.
But, scales and arpeggios must be done in every tonality, there are several methods that bring this ready, including the famous "Czerny".
Just don't forget to practice every day for at least two years, don't wait for a scale to get good to practice another new one in other tonality, start slow and let the hand speed up by itself.
Better if you start at 10 years old, when we are more mature, at most at 16, after that age things get more difficult. If you live in a country that snows and is cold for 6 months, you will have more time to dedicate yourself and be better, discipline is what will make you great, otherwise, studying once a week will make you one more frustrated on this planet.

The other things to study in the correct order are:
Rhythm, "Paul Hindemith - Elementary Training for Musicians".
Harmony (as far as understanding harmonic engineering is concerned, which deals with the nature that hearing receives and resolving sounds in circles of fifths), leave the architecture of harmony for later, which can be done with any jazz harmony book , Berklee etc.

And some basic concepts of what they mistakenly call music theory, I mean the thousands of musical concepts, because without them it is difficult to read a score.

Don't expect to be like a successful composer who doesn't even know how to read music or play an instrument like the great 'Danny Elfman', because, he is an exception, it's like a lottery, it won't happen to you either.

And finally, the practice of reading and interpreting, which requires a weekly teacher to correct and advice you, call your attention and sometimes yell at you.

Here's my tip for finding a good piano teacher or music teacher:

"My music teachers, they offended me, they shouted, they turned away, they scolded me, but I only learned from them, good ones. Good when you choose much older teachers because you have more experience, and when you achieve success, they are all already dead, and they will never speak ill of you."