Busy Works Beats Melody Magic TUTORiAL

There comes a time when everything undergoes a transition because of wear and overuse, and the combinatoriness in something nothing complex that is to build melodies on practically 20 frequencies as if the scale was by chromatism from 'C4, C4 #, D4, D4 #, E4 through G5'.

One day it all runs out, because mathematically added to this, we have the golden coincidence of the number 7 combined with the own 7, which are only 7 music figures combined with the values of their pauses, which form all possible rhythms to make music, of course respecting the quantity of figures that fit within a measure, of course I can't combine a 'whole note' with its own pause or any other figure with it, even so, it generates thousands of rhythmic possibilities, which will undoubtedly have an end, is indisputably exhaustible. (Please, before any doctor on duty shows up, I'm talking about rhythms, but not rhythms applied to sound frequencies, I'm not talking about these combination to musical notes, but only the rhythm part.)

About the frequencies of the musical notes vibrate little in relation to the vibrations of the colors, that is why the valved instruments that have doubled the parity of the harmonic it was a success, that is why the saxophone, hammond, electric guitar and valved boxes are the instruments of the XX century, therefore, explode in harmonics.

Nor can you make an analogy with colors that are three primary that form all the others, but it has physical frequencies above Terahertz far above the very low vibrations audible by the human ear, so you get so many millions of different colors, which does not happen with the frequencies used to make music. It's amazing how that number 7 as an initial base chases mankind, in music rhythm combinatoriness we can use for almost a century, but elements such as rhythm or melody of a song appears in another without us realizing. Naturally, some elements of these combinations generate horrible and useless rhythms and melodies.

I humbly suggest to everyone start thinking about building rhythms background in two measures to enrich the melody, thus doubling every combinatorial process we've done until today. Few people work this way, Ravel's famous Bolero is built in 2 measures 3/4, 'Bossa Nova Rhythm' was also made in two measures 4/4.

I who don't believe in magic, believe in a great worldwide interference within a juridical process discussed in The Hague, that will make that plagiarisms cease to exist within this exhaustive combinatorial analysis.

In all times, had to change the musical genre, because, only adaptation stylistic no longer works, I am curious to know what lies ahead, and it is difficult to predict and depending on the intellectual development of a society, no matter the music , the melody, but the clothes that the artist wears, the beauty of their bodies and face of each one, just because they appear on TV already deceives the less favored public intellectually, or their grotesque polemics and scandals that even serve as catharsis for fans who come to their shows and spend half of their minimum wage to see someone who only showed up once on TV.

It is a sum of several factors, I don't know what the music will be like after 2030, maybe the same.
The title is quite flashy Melody Magic, so maybe magic can solve this matter.