Classica - Avril 2015

Oh My! How the particular vision of a few can be as small as one can sum it all up as round numbers, that old thing of the 'new world' summarizing everything in 10 is so obsolete and antiquated, nor in ancient Greece with all philosophy was applied this, maybe the Greeks thought in 8, because of the musical octave.

My God, lacked many pianists, I'm not going to name a few, then, is also a tiny picture of me like this magazine reported.

Another though is that many interpretations of the early twentieth century, have changed radically, today no one play Bach as if playing to 80 or 40 years ago, or as a recent issue of Pianiste magazine (Mars 2016) shows: (perception des œuvres change invariablement avec le temps) , the perception of the "ouvres' invariably changes during time.
And also respect pianists like' Vladimir Ashkenazy ' who decided to play faster than any ever played, but, following his own aesthetic and interpretive feeling. The Ukrainian Horowitz, and the Polish pianist Rubinstein represent one of the many possibilities and contribution on the piano aesthetic.

But the most fascinating thing to see today's pianists, flee the aesthetic imposed by many big schools around the world.

Of course Argerish and Arrau belongs to any list, but, Baremboim, Freire, Michelangeli, Kempff too.

But it could be worse, include circus show man, woman pianists of today's spotlight.