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Education » Literary
Piano Playing - With Piano Questions Answered by Josef Hofmann screenshot
2009 | Language: English | Pages: 346 | PDF | 33.57 MB
When buying a french cookbook, one can choose from wonderful derivative sources (for example, an American popularist of french cooking such as Julia Childs, or a Betty Crocker clone) or visit with a text written by a master native-born French chef for those who wish to learn how to cook authentic French cuisine from one of the top chefs in France. Interestingly, the same phenenomena exists with books on piano-playing. There are certainly Betty Crocker-style books written by marginally talented pianists who tailor their texts to aficionados who don't wish to think too much about piano-playing theories and methods. Then there are the books written by the real "chefs" or "chiefs" of piano-playing, like Josef Hofmann, who along with Rachmaninoff and a few others, ranked as the superlative pianists of the 20th Century. What Liszt was to the 19th Century, Hofmann was in the 20th Century. In Piano Playing the reader is treated to high-level advice on many of the most important aspects of piano playing. To be sure, unless the reader has had a high level teacher who has provided him/her a legitimately good foundation in piano-playing and piano knowledge, the book may feel less useful. But that's true only if the reader reads too hastily, and with an eye at being entertained instead of educated. Serious, that is "real" pianists, would not want to miss owning and reading this wonderful book.
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They forgot to mention Martha Stewart and her cucumbers stuffed with money.

Anyone knowledgeable in Europe know that there can be no theories on how to play the piano or any other instrument, but there may be arguments and methods called thesis.

If you look at the way Hoffman sits at the piano, will realize that is what any good teacher says against, we must sit on the edge of the bank. The photos with the correct position of the hands to the keyboard does not help at all, because there are several schools and body techniques of how to apply force on the keyboard, not to mention the rotation techniques, whose hand rotates 45 degrees.

This book is just one more of those interesting books to read, whose approach on important issues, histories and composers is present, really learn a lot from this book, but should not be airtight, take some profits and it Merge it with other literature.

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