Modal Jazz Composition and Harmony, vol. 1 and 2 by Ron Miller

English | Publisher: Advance Music, 1996 | 287 Pages | djvu | 14,50 MB
The goal of Modal Jazz Composition & Harmony, Volume 1 by Ron Miller is to show the student the means to develop latent creative abilities by offering the unfettered environment of the chromatic-modal system and free asymmetric form. The freedom of the approach will allow the composer to express him/herself in any style: post 50s jazz, ECM, fusion, pop, classical, etc., that is not tied to any harmonic particulars.

The goal of Modal Jazz Composition & Harmony, Volume 2 is to continue the dissemination of information that presents a path of study for the aspiring jazz composer. Where Volume 1 of the book emphasized the preparation of a modal harmonic foundation, this volume will introduce concepts of melody writing and a study of the styles of jazz compositions that are an intrinsic addition to the contemporary jazz composer's repertoire.

Also included are chapters on harmonization and reharmonization techniques---as many of the concepts presented reflect an influence of Gil Evans, Duke Ellington and Charles Mingus as well as those of Herbie Hancock---and on pentatonic tunes that are harmonized with a modal harmonic foundation. As with Volume 1, an appendix with additional peripheral information is included for the student desiring theoretical explanation and additional examples.

Ron Miller is professor of jazz studies at the University of Miami. His compositions have been recorded and/or performed by notable musicians as Red Rodney, "Elements", Jerry Coker, Ira Sullivan and Stan Getz. Composition students of Ron Miller that have attained notoriety include: Pat Metheny, Steve Morse, "T" Lavitz, Bruce Hornsby, Gil Goldstein, Mark Egan, Matt Harris, Denis DiBlasio and Rick Margitza.