Perry Meisel - The Myth of Popular Culture: From Dante to Dylan

2010 | ISBN: 1405199334, 1405199342 | English | 217 pages | PDF | 1.5 MB
“Perry Meisel’s study of popular culture is a surprising enhancement of received opinion and common wisdom on that vexed subject. Moving from Shakespeare through Freud on to Bobby Dylan would seem something of a descent, yet Meisel provides a perspective that has its own descriptive justice. Even if I am not wholly persuaded that Dylan’s ultimate importance is as sublime as Meisel ventures it to be, I am given much here to intrigue me.”
—Harold Bloom

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moji20	status	registered	posts	comments	rating
moji20	Banned	3.08.2012	74	16992	+5172

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14.03.16 @ 06:03

Hans Irgend Blumenfeld	status	registered	comments	rating
Hans Irgend Blumenfeld	Resident	21.04.2014	1805	+392

Simply formidable:

Harold Bloom is one of the most important guys not only to understand the literature through reductionism as well as for music where there is text.

Bloom is just like 'Martin Heidegger' in philosophy and 'Heinrich Schenker' in music, ie, pure reductionists, that make you understand anything, dissecting the structures to their original gene and its subsequent construction, so it is easy to understand the whole project of a symphony or sonata or else certain non-obvious writing structures that are more interesting for people with higher IQ and make your song better, such as this Victorian Structure Poem, by 'Dante Gabriel Rossetti' :

[1ª] Estrofes, Verse, Versus, Stanza, or Stances. from greek (στροφές)
(Refrain, Pause or freezing)

[1ª] ___________ Heavenborn Helen, Sparta's queen,
Refrain_______________ (O Troy Town!)
[2ª]____________ Had two breasts of heavenly sheen,
[3ª]____________ The sun and moon of the heart's desire:
[4ª]____________ All Love's lordship lay between.
Refrain________(O Troy's down, Tall Troy's on fire!)